One of my favorite parts of Goddesschess is dondelion's collection of art and artifacts, some of which are "things that look like 'chess'."
While doing some research on the Gundestrup Cauldron (see prior post), I visited the website of the National Musem of Denmark, and came across this beautiful miniature replica of the original "Sun Chariot":
The Sun chariot; small copy
The sun chariot was discovered around 1400 BC when the bogs near Trundholm on Zealand went under the plow in 1902. The small six wheeled chariot was broken into many parts but this was not only done by the plow. The chariot must have been broken already when it was dumped in the bog during the Bronze Age. The pieces were salvageable, however, and formed a miniature sun disc on a horse drawn carriage. The sun disc is made from two bronze plates that have been fused together. One side has been covered in a thin layer of gold. The horse is delicately formed with patterns on the front end forming eyes, mane and reins. The casting has been done by a master. The whole piece is put together on a frame and is to be seen as a horse drawn sun on a six wheeled chariot. This miniature copy is approx. 20 cm long which makes it some what smaller that the original. It is made from bronze patinated metal with a gilded sun disc. The original is displayed at the Danish National Museum.
"Despite the documented evidence of chess historian H.J.R. Murray, I have always thought that chess was invented by a goddess." George Koltanowski, from Women in Chess, Players of the Modern Game
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Saturday, February 28, 2009
Things That Look Like "Chess"
One of my favorite parts of Goddesschess is dondelion's collection of art and artifacts, some of which are "things that look like 'chess'."
While doing some research on the Gundestrup Cauldron (see prior post), I visited the website of the National Musem of Denmark, and came across this beautiful miniature replica of the original "Sun Chariot":
The Sun chariot; small copy
The sun chariot was discovered around 1400 BC when the bogs near Trundholm on Zealand went under the plow in 1902. The small six wheeled chariot was broken into many parts but this was not only done by the plow. The chariot must have been broken already when it was dumped in the bog during the Bronze Age. The pieces were salvageable, however, and formed a miniature sun disc on a horse drawn carriage. The sun disc is made from two bronze plates that have been fused together. One side has been covered in a thin layer of gold. The horse is delicately formed with patterns on the front end forming eyes, mane and reins. The casting has been done by a master. The whole piece is put together on a frame and is to be seen as a horse drawn sun on a six wheeled chariot. This miniature copy is approx. 20 cm long which makes it some what smaller that the original. It is made from bronze patinated metal with a gilded sun disc. The original is displayed at the Danish National Museum.
Ceraunos and Cernunnos
(Image of Cerunnos from the Gunderstrup Cauldron, at Wikipedia) Here is Walker's entry on Cernunnos, who is a horned god. Hmmm, who do we identify as living in the underworld popularly depicted as having horns (and a forked or barbed tail and holding a pitchfork)? None other than old Satan himself, who is also Lucifer. Ceraunos and Cernunnos may be opposite sides of the same coin.
Cernunnos
Celtic version of the Horned God, shown in sacred art with antlers strapped to his head, seated in lotus position like a yogi.(1) This contemplative pose was typical of Gallo-Roman deities in the first millenium B.C.(2) Cernunnos was a consort of the Moon-goddesss, whose Roman name Diana may have been related to Sanskrit dhyana, "yogic contemplation."(3) Medieval romances spoke of pagan heroes who acquired godlike powers by falling into a trance of "contemplation" of the Goddess as lady-love.(4)
Notes:
(1) Campbell, Or.M., 307.
(2) Larousse, 232.
(3) Campbell, Or.M., 440.
(4) Goodrich. 69.
This interesting information on Cernunnos is from Encyclopedia Mythica:
Cernunnos
by Dr Anthony E. Smart
"The Horned One" is a Celtic god of fertility, life, animals, wealth, and the underworld. He was worshipped all over Gaul, and his cult spread into Britain as well. Cernunnos is depicted with the antlers of a stag, sometimes carries a purse filled with coin. The Horned God is born at the winter solstice, marries the goddess at Beltane, and dies at the summer solstice. [So, he represented the original version of king sacrifice, which is very old]. He alternates with the goddess of the moon in ruling over life and death, continuing the cycle of death, rebirth and reincarnation.
Paleolithic cave paintings found in France that depict a stag standing upright or a man dressed in stag costume seem to indicate that Cernunnos' origins date to those times. Romans sometimes portrayed him with three cranes flying above his head. Known to the Druids as Hu Gadarn. God of the underworld and astral planes. [Emphasis added]. The consort of the great goddess. He was often depicted holding a bag of money, or accompanied by a ram-headed serpent and a stag. Most notably is the famous Gundestrup cauldron discovered in Denmark.
From Encyclopedia Britannica:
Cernunnos:
In Celtic religion, an archaic and powerful deity, widely worshipped as the “lord of wild things.” Cernunnos may have had a variety of names in different parts of the Celtic world, but his attributes were generally consistent. He wore stag antlers and was sometimes accompanied by a stag and by a sacred ram-horned serpent that was also a deity in its own right. He wore and sometimes also held a torque, the sacred neck ornament of Celtic gods and heroes.
The earliest known depictions of Cernunnos were found at Val Camonica, in northern Italy, which was under Celtic occupation from about 400 bc. [This ignores extremely antique cave representations as noted by Dr. Smart, above]. He was also portrayed on the Gundestrup Caldron, a silver ritual vessel found at Gundestrup in Jutland, Den., and dating to about the 1st century bc.
Cernunnos was worshipped primarily in Britain, although there are also traces of his cult in Ireland. The Christian Church strongly opposed him because of his powerful pagan influence. He was used as a symbol of the Antichrist and as such figured in Christian iconography and medieval manuscripts.
For a definition of "Cernunnos (Celtic deity)", visit Merriam-Webster.
Indian National Open Chess Tournament for the Blind
Koneru Humpy to Play in Women's Grand Prix Event
Bangladesh Women's Chess Championship
Chess in Sebastopol, CA
Friday, February 27, 2009
Mommy, Look What I Found...
Ohmygoddess! Family discovered 13,000 year old cache of stone-age tools in their front yard!
(This photo release by the University of Colorado on Feb. 26, 2009, shows Douglas Bamforth, Anthropology professor for the University of Colorado at Boulder, left, and Patrick Mahaffy, show a portion of more than 80 artfiacts unearthed about two feet below Mahaffy's Boulder's front yard during a landscaping project this past summer. The artifacts, which may have been made during the Clovis period nearly 13,000 years ago, were neatly arranged in a cache near where this portrait was taken, suggesting that the users of these instruments may have intended to reuse them. (AP Photo by Glenn J. Asakawa/University of Colorado)
13,000-year-old tools unearthed at Colorado home
By ALYSIA PATTERSON, Associated Press Writer Alysia Patterson, Associated Press Writer – Thu Feb 26, 3:34 pm ET
DENVER – Landscapers were digging a hole for a fish pond in the front yard of a Boulder home last May when they heard a "chink" that didn't sound right. Just some lost tools. Some 13,000-year-old lost tools. They had stumbled onto a cache of more than 83 ancient tools buried by the Clovis people — ice age hunter-gatherers who remain a puzzle to anthropologists.
The home's owner, Patrick Mahaffy, thought they were only a century or two old before contacting researchers at the University of Colorado-Boulder.
"My jaw just dropped," said CU anthropologist Douglas Bamforth, who is leading a study of the find. "Boulder is a densely populated area. And in the midst of all that to find this cache."
The cache is one of only a handful of Clovis-age artifacts uncovered in North America, said Bamforth.
The tools reveal an unexpected level of sophistication, Bamforth said, describing the design as "unnecessarily complicated," artistic and utilitarian at the same time.
What researchers found on the tools also was significant. Biochemical analysis of blood and other protein residue revealed the tools were used to butcher camels, horses, sheep and bears. That proves that the Clovis people ate more than just woolly mammoth meat for dinner, something scientists were unable to confirm before.
"A window opens up into this incredibly remote way of life that we normally can't see much of," Bamforth said.
The cache was buried 18 inches deep and was packed into a hole the size of a large shoe box. The tools were most likely wrapped in a skin that deteriorated over time, Mahaffy said.
"The kind of stone that's present — the kind that flakes to a good sharp edge — isn't widely available in this part of Colorado. It looks like they were storing material because they knew they would need it later," said Bamforth.
Bamforth believes the tools had been untouched since the owners placed them there for storage.
Mahaffy's Clovis cache is one of only two that have been analyzed for protein residue from ice age animals, Bamforth said. Mahaffy paid for the analysis by California State University in Bakersfield.
A biotech entrepreneur, Mahaffy is familiar with the process. He is the former president and chief executive officer of Boulder-based Pharmion Corp., acquired by Celgene Corp. for nearly $3 billion in 2007.
Mahaffy wants to donate most of the tools to a museum but plans to rebury a few of them in his yard.
"These tools have been associated with these people and this land for 13,000 years," he said. "I would like some of these tools to stay where they belong." [Talk about an invitation to looters to visit your front yard, yikes!]
Friday Night Miscellany
Thursday, February 26, 2009
Paraguay Reveals Evidence of Ancient Residents
Why Your Hair Might Turn Blue...
Looting of Mohenjodaro Continues Unabated
A Second Sphinx?
Antoine Gigal has unearthed historical evidence that shows that until the 11th century AD, a Second Sphinx existed on the Gizeh plateau, which has since been dismantled.
In 1858, François Auguste Mariette was charged by the Duke of Luynes to verify the proposition of Pliny the Elder that the Sphinx had been constructed, and was not monolithic. He opened a trench near the pyramid of Khufu (4th Dynasty, 2589-2566 BC) and in a sanctuary of Isis (dating from the 1st century BC), where he found the so-called “Inventory Stele”.
The stele states that “during the reign of Khufu, he ordered the construction of a monument the length of the Sphinx.” This logically concludes that the Sphinx was already there, and that the standard theory, which is that the Sphinx is contemporary with Khafre (4th Dynasty, 2520-2494 BC), is incorrect.
No wonder therefore that the majority of Egyptologists try to turn the attention away from the Inventory Stele, as it poses too many problems. Some prefer to affirm that this stele was a list of the inventory of the temple of Isis and that it therefore dates from the 26th Dynasty only. Maybe, but Mariette, its discoverer, passed more than ten years researching the Gizeh plateau, and walked away with the conviction that the stele was erected by Khufu himself.
It was Captain Giovanni Battista Caviglia who, in 1816, cleaned the Sphinx and its surrounding temples from the sand, and attributed the construction of the Sphinx to Khafre because of the proximity of his pyramid to the Sphinx. However, not a single inscription has confirmed this link and the Sphinx is not even in alignment to this pyramid.
There is also a text from Pharaoh Amenhotep II (ca. 1448-1420 BC), in which the Sphinx is mentioned and is labelled “older than the pyramids”. Then there is the famous Dream Stele of Tuthmosis IV (18th Dynasty, 1420-1411 BC), in which certain Egyptologists (all too quickly) believe they have seen the name of Khafre on a piece of the inscription – today no longer present – on the stele, in the praises to a deity, even though the name is not there in reality, but only in the outline of a single syllable, which is long from conclusive in such an affirmation. They have furthermore inserted, in the translation, a second syllable that does not exist on the stele itself!
Tuthmosis IV was only a prince and at the time, no heir to the throne. After a hunt, he reposed in the shadow of the head of the Sphinx, which was the only part of the monument that was still above ground – the underlying structures all covered by sand. In his sleep, he dreamed that the Sphinx asked him to be uncovered from the sands. In return, the Sphinx would give him power and fortune. Indeed, Tuthmosis decided to execute his dream and became soon afterwards Pharaoh, as well as very rich.
However, that what is particularly interesting on the Dream Stele of Tuthmosis IV is the representation of the Sphinx. There are two! Equally, one can see that the two Sphinxes sit on architectural constructions, i.e. a small temple with a gate. The usual interpretation from Egyptologists is that these temples are merely the representation of that what is present in front and to the South of the Sphinx. However, such a conclusion should fail to satisfy anyone, as it is well-known that the rules of perspective for the ancient Egyptians were very strict, and no official artist would allow himself to deviate from reality to such an extent.
Most importantly, in the Inventory Stele, there is mention of a lightning strike that struck the cap of a Second Sphinx, as well as a sycamore tree, a sacred tree in those days, which was burned by the same lightning strike. The lightning strike marked the beginning of the end of this Second Sphinx.
According to archaeologist Michael Poe, who refers to papyrus fragments from the Middle Kingdom, the Second Sphinx was located face to face with the still-existing Sphinx. It was located on the other side of the Nile, and was destroyed by a violent rising of the river Nile ca. 1000 AD. The local people took stones from the structure to rebuild their villages.
This thesis is confirmed by other texts, such as those of the great Arab geographer and scholar Al-I-Drisi (1099-1166 AD) in his two geographical encyclopaedias (Kitab al Mamalk, Al-Mamsalik, and Kitab al Jujori). He mentions the presence of two sphinxes at Gizeh, monuments he describes in great detail: one is in a very bad state, licked by the waters of the Nile, and several stones are missing.
Other authors also mention the existence of two sphinxes. The famous historian Musabbihi writes about a “sphinx smaller than the other” (likely because the other one had deteriorated badly by that time) on the other side of the Nile, made from bricks and stones (Annals of Rubi II, ca. 1024).
In total, these accounts presents conclusive evidence that in origin, there were two sphinxes: one, the Sphinx which still exists; a Second Sphinx on the opposite side of the Nile, made from bricks, at first damaged and in relatively modern times, the 11th century, used as a quarry, thus completely dismantling the structure.
As to the precise location of the Second Sphinx, at the moment, there are three possibilities. The work is made especially hard as the area has many modern buildings. We only know that the Sphinx was on the other side of the Nile, a river that was much wider in those days, especially at the time of the inundations.
The all-important question is, nevertheless, this: why is not more written about this Second Sphinx? What is there to hide? Why not mention its deconstruction together with the removal of the outer lining of the Great Pyramid, which was equally used by the people of Cairo for their homes.
Perhaps the reason is more complex: because these Sphinxes hide something that gains access to something underneath the Gizeh plateau? Let us note that in the 10th century AD, the greatest Arab chroniclers and historians mentioned the existence of gates that provided access to subterranean galleries under the Sphinx. That, however, is a different story. Antoine Gigal is a French writer and researcher, and the Egyptian correspondent for the French ‘L’Egypte’ magazine.Gigal’s early years were spent in Africa and South America, where her father worked as journalist and diplomat. This has taken her all over the world exploring diverse cultures and civilizations. She studied at Sorbonne Paris III University and the National Institute of Oriental Languages and Civilizations (INALCO), where she graduated in Chinese and Japanese languages and civilizations.
Speaking Arabic, Spanish, Italian and French, for the last 20 years, she was lived mainly in Egypt, and calls Paris her second home. Gigal lectures extensively on Egypt and leads several study tours of Egypt every year. Gigal has travelled to even the most remote archaeological areas and is able to gain access to monuments not open to general public. With the eye of an astute detective, Gigal has made a name for herself in France as someone who is able to bring new and first-hand information about the mysteries of ancient Egypt.
I'm wondering about that sacred Sycamore tree that was struck by lightening. How do you get a tree to grow in the middle of the desert? Well, of course, they were quite near the Nile - but you still need dirt, not sand, to grow things in. Did they haul in dirt by the wheel barrow full? Were there special attendants for the tree, who watered it daily during the hot stretches? Did they know about fertilizer (for instance, the American Indians whom the Pilgrims met when they landed at Plymouth Rock taught the English about using dead fish partially buried around the roots of corn plants to help them grow more - granted a couple thousand years later!) and mulching?
When the tree was destroyed by the lightning strike, was a sapling replanted, or did the tree resprout from the roots -- those would not have been killed by the lightning.
So many questions - and no answers.
According to Frazer's "The Golden Bough," Sycamore bough figured in the celebration of the yearly re-enactment of the funeral rites of Osiris as they were described in a "long inscription of the Ptolemic period:" On the twenty-fourth of Khoiak, after sunset, the effigy of Osiris in a coffin of mulberry wood was laid in the grave, and at the ninth hour of the night the effigy which had been made and deposited the year before was removed and placed upon boughs of sycamore. Lastly, on the thirtieth day of Khoiak they repaired to the holy sepulchre, a subterranean chamber over which appears to have grown a cplum of Persea-trees. Entering the vault by the western door, they laid the coffined effigy of the dead god reverently on a bed of snad in the chamger. So they left him to his rest, and departed from the sepulchre by the eastern door. Thus ended the ceremonies in the month of Khoiak."
No mention of what happened to the year-old effigy placed upon the "boughts of sycamore." Was it burned? Was it set on a special reed boat and set adrift on the Nile - perhaps "fired" like the Vikings did a thousand years later?
Arggghhhh!
Also wondering if this quaint custom has any possible connection to the ancient Egyptian rituals:
In discussing "Relics of tree-worship in modern Europe," Frazer cited Sir Henry Piers "Description of Westmeath" writing in 1682: "Among ancient customs still retained by the Cornish, may be reckoned that of decking their doors and porches on the first of May with green boughs of sycamore and hawthorn, and of planting trees, or rather stumps of trees, before their houses."
Hmmmm...
Wednesday, February 25, 2009
Blast from the Past: Karpov v. Polgar
Hugo Chavez - Do You Hear Laughter, Pharaoh?
United States Chess Federation: 2009 Elections
An Interesting Chess Set
2009 Aeroflot - Final Standings
Chess and Stamps: Caxton
Tuesday, February 24, 2009
Shiva Shrine Found
(Image from article)
From The Times of India:
2000-yr-old Shiva shrine found
23 Feb 2009, 0327 hrs IST, Shailvee Sharda, TNN
LUCKNOW: Believed to be among the oldest brick shrines in India, Lucknow University’s department of ancient Indian history and archaeology has unearthed a 2,000 year old Shiva temple as part of its excavation project recently in Uttar Pradesh’s Unnao district.
‘‘It’s actually a complex comprising five temples,’’ Prof D P Tewari of the Lucknow University said. ‘‘While four temples belong to the Kushana period (1st-3rd century AD or 2,000 years ago), it appears that the primary temple was constructed during the Sunga period (2nd century BC to 1st century AD or 2,200 years ago).’’
The temple site is a mound in Sanchankot in Unnao. The excavations have been going on since 2004, when UGC cleared the project for funding. ‘‘A lot of things have come to fore since we began, but the temple complex has suddenly given impetus to our research,’’ said Prof Tewari.
Spread across an area of 600 acres, the temple is made of baked bricks. In India, most of the brick temples were built in the Gupta period which existed in the fourth century AD. The temple’s architecture is ‘apsidal’ (semi-circular or u-shaped) in nature.
The LU has many artifacts to conclude that Lord Shiva was worshipped in this temple. Prof Tewari said, ‘‘A terracotta seal bearing the legend of ‘Kaalanjar peeth’ in Brahmi script was found from the site in Dec 2008.’’
A shivling, trishul, nandi bull, and a river are inscribed over the seal. The legend of ‘Kaalanjar peeth’ is inscribed just below the river.
The Peopling of Japan
Another Large Statue Found in Egypt!
From Reuters (image from Reuters)
Ancient statue found buried at Egypt Giza pyramids
Tue Feb 24, 2009 11:22am EST
CAIRO (Reuters) - Maintenance workers at Egypt's Giza Pyramids have found an ancient quartzite statue of a seated man buried close to the surface of the desert, the culture ministry said on Tuesday.
The statue, about life-size at 149 cm (five feet) tall, was found north of the smallest of Giza's three main pyramids, the tomb of the fourth dynasty Pharaoh Mycerinus, who ruled in the 26th century BC, the ministry said in a statement.
The man was wearing a shoulder-length wig and was seated in a simple chair, his right hand clenched on his knee and holding an object. His left hand was resting on his thigh.
The culture ministry said the statue had a number of cracks in a shoulder, its chest and base, and some facial features had been worn away. The head of the statue was only about 40 cm (16 inches) below ground level.
The statue bore no inscriptions, making it hard to identify, though the style suggested it might date to the early years of the Old Kingdom of ancient Egypt, close to Mycerinus's time.
The Giza complex, containing the pyramids and the Sphinx, on the outskirts of the Egyptian capital, is one of the country's most popular tourist sites, attracting millions of visitors every year.
(Writing by Cynthia Johnston, editing by Tim Pearce)
(c) Thomson Reuters 2009 All rights reserved
Women's Grand Prix: Ataturk Tournament
Southwest Chess Club Upcoming Events
- For best female finisher in the Open section, $65
- If there is only 1 CF in the Open, then she gets the prize no matter where she finishes, simply for playing in the Open!
- For best female finisher in the Reserve section $40
- If there are no female players in the Open, the prize money will go to best 3 female finishers in the Reserve section: $40/35/30
- If there are only 2 CFs in the Reserve, then money is split $60/45.
Monday, February 23, 2009
Kosteniuk Seeks to Broaden Chess' Appeal
From The Christian Science Monitor
(Photo: Kosteniuk, Round 5, Game 2, 2008 Women's World Chess Championship)
A chess champion crusades to make the game ‘cool’
Russian Alexandra Kosteniuk, the women’s world title holder with a fashion-model image, wants to broaden the game’s appeal to young people.
By Jacqui Goddard Correspondent / February 23, 2009 edition
To a woman still reveling in the joys and novelty of motherhood, such a lifestyle has its challenges. Chess, she realizes, is no longer the central love of her life – she has won everything there is to win, and the days of relentless competition are obviously winding down.
“I have a strong guilt that lives inside me if I’m away from my daughter,” she admits.
“The problem now is that my main dream was fulfilled when I became world champion, and though there’s so many things to do, I have a family and baby and want to spend time with them too.”
KEY BISCAYNE, FLA.
Alexandra Kosteniuk’s hand quivers as she picks up a pawn and skips it to the center of the chessboard on the table before us. I wonder, just for one silly moment, whether she is trembling in fear of her opponent.
Perhaps even the reigning Women’s World Chess Champion can have bad days, I speculate, when a beginner like me stands a chance of ambushing her king and declaring “Checkmate,” sending her reeling in admiration at my stealth and cunning?
No, I discover after three minutes’ play, during which she slaughters me in just 14 moves. She doesn’t. And her shivers are nothing to do with nerves – it is simply a chilly day, here on the open veranda of an oceanfront cafe on Key Biscayne, Fla.
“Your first move was good,” she compliments me, allowing me a fleeting second to feel proud of myself for my opening “pawn to E4” maneuver. Then she adds, “But by your fourth move, the position was hopeless,” referring to my clumsy sacrifice of a knight.
A Russian with good looks and flowing hair, Ms. Kosteniuk has been dubbed the “Anna Kournikova of chess.” It’s a label she scorns, though: the fetching Kournikova, she points out, never won a singles tennis tournament.
By comparison, Kosteniuk has made all the right moves and swept the board in the world of chess. A master when she was 8 and a grandmaster at 14 – rankings that denote supreme skills – she has since captured every title available to a woman player, culminating in the Women’s World Chess Champion crown in Nalchik, Russia, last September.
But the undeniable similarity to Kournikova is that Kosteniuk is not averse to striking a glamorous pose for the cameras, sometimes while dressed in little more than a bikini. Her purpose, she says, is to illustrate her mantra, “Beauty and brains can go together.”
There have been photo shoots in top fashion magazines, and advertising contracts with a Swiss watchmaker, a Russian electronics company, and a mobile phone firm. Her face has been plastered on billboards, buses, and television screens across Russia. Her commercial ventures include a chess computer game marketed under the name “Alexandra the Great.”
The cover-girl poses and hunger for publicity have less to do with vanity or money than with her passion for injecting some color into the black-and-white world of chess. She wants to transform its geeky reputation.
Indeed, she considers her glamour and youth – she is now 24 – powerful tools in her mission to enthuse more young people about the game and persuade them to believe that “chess is cool.”
“Chess has a very wrong image. People think it’s boring, and only fat men in suits play it, so I break that signal and show them chess is cool,” she says. “You can easily be beautiful and play chess well, or be a professor, or any kind of high achiever. The only thing chess doesn’t have is a lot of attention from the media and from sponsors, so I think I can help in this way. If you tell people there are some nice models playing chess, somehow the modern world finds it more interesting.”
•••
Born in Perm, Russia, and raised in Moscow, Kosteniuk set out on a path to greatness at the age of 5. That’s when her father Konstantin, an officer in the Red Army, taught her to play chess. She was limited to only 30 minutes of television a day, and every moment was filled with some kind of activity – playing soccer with friends, reading a book, poring over mathematical puzzles.
“No time was ever idle,” says her father, adding that even now, Alexandra “absolutely hates to sit down doing nothing.”
“She was always glad to sit at the chess table with me and listen to me talk about those chess pieces,” he recalls.
She developed skills methodically.
Rest of article.
2009 Aeroflot
Sunday, February 22, 2009
Board Games Benefit from Bad Economy
Story from boston.com
Downturn could be boon for board-game makers
Bloomberg News / February 22, 2009
NEW YORK - Monopoly (image from Online Board Games) gave Americans a cheap way to entertain the family at the height of the Great Depression, and Mattel Inc. and Hasbro Inc. are betting board games will stage a comeback in the current crisis.
Mattel and Hasbro unveiled retooled versions of perennial favorites including Candy Land, Trivial Pursuit, and Monopoly at last week's American International Toy Fair.
US sales of board games rose 6 percent to $794 million last year, while total toy sales declined 3 percent, according to researcher NPD Group Inc. Game sales have risen since last summer, when dwindling disposable income made the "staycation" a popular alternative to holiday travel, according to Reyne Rice, a consultant at the Toy Industry Association Inc. in New York.
"When you buy a $20 game, it can last," Rice said in an interview. "You can pull it out year after year."
The worst US unemployment in 16 years and a global recession have trimmed consumer spending, handing both toymakers revenue declines in the fourth quarter of 2008: Retail sales fell each of the last six months of 2008 and climbed 1 percent last month, according to the Commerce Department.
"When you get into this type of economy, where the consumer does not have the kind of spendable income that they had previously, they tend to do more things as a family," Neil Friedman, president of Mattel brands, said in a telephone interview. "That tends to be games."
Charles B. Darrow of Germantown, Pa., invented the Monopoly real estate game in 1934. Parker Brothers started selling the game in 1935, when the US jobless rate stood at 20 percent. It was the bestselling board game in America that year, according to the website of Hasbro, which now owns Parker Brothers.
Mattel has added the $24.99 Apples to Apples to its line of games for families and friends. Puzzle game Blokus goes for $29.99 and UNO Moo!, a preschool version of the card game, will come out in the second half of 2009 for $19.99.
"We certainly focused on those family-oriented things a little more than perhaps we would normally have," Friedman said.
Hasbro will promote "family game night" for children, parents, and grandparents this year, said Phil Jackson, head of the Pawtucket, R.I., company's game division.
"Family game night is probably the single most important thing that we're focusing on in 2009," Jackson said in a telephone interview. "People are staying home more and looking for in-home entertainment more than ever."
Hasbro's Candy Land Sweet Celebration comes out in the second half of the year. The new version of the 1949 game lets players adjust their path and collect treats. In Monopoly City, also due in the second half, players buy entire districts and build three-dimensional properties. It will retail for $34.99.
Hasbro's fourth-quarter revenue dropped 5.1 percent to $1.23 billion. Board game and puzzles sales rose 2 percent in 2008, according to Patricia Riso, a spokeswoman.
"Some people have even said, 'Staying in is the new going out,' " Jackson said.
© Copyright 2009 Globe Newspaper Company.
Rare Silk-Road Treasures on Exhibit
From The International Herald-Tribune
Rare treasures from the Silk Road
By Alexandra A. Seno
Published: February 17, 2009
HONG KONG: Some 2,000 years ago, vibrant global commerce hummed along the trading hubs of the Silk Road. For nearly a millennium, the complex business network spread Buddhism, Christianity and Islam, and helped fine Chinese fabrics become all the rage among the Roman Empire's elite and wealthy Chinese coveting art pieces inspired by Greek legend.
The highlights of the deceptively modest exhibit "The Silk Road in Ningxia," which runs at the Hong Kong University Museum and Art Gallery until March 15, hold their own against those in the many big-budget Silk Road productions that appear around the world annually. This year, the Hermitage in St. Petersburg, the National Museum of History in Taipei and Brussels' Royal Museums for Art and History are among those hosting shows devoted to the fabled trading route. The Silk Road stretched from what is now Turkey through Central Asia and China to Africa, Southeast Asia, the subcontinent and the Middle East.
Susan Whitfield is a Silk Road historian and the director of the British Library's International Dunhuang Project, a multinational research and archiving effort to broaden knowledge about the Silk Road. She lauds the "Ningxia" exhibit for the exceptional quality of the antiquities and the unique focus of the narrative. She said that "Ningxia" illustrates "a snapshot of a smaller area but a larger cultural diversity." Whitfield recently visited Hong Kong, invited by the museum, to deliver lectures related to the exhibit.
Most shows about the Silk Road either attempt to tell the general story of the whole route or draw from frequently studied museum collections in Europe, built on finds primarily from Xinjiang, Gansu or Inner Mongolia, and carted off by British, Russian, French, German and Japanese expeditions in the early 1900s.
The 105 objects in Hong Kong come from Ningxia, now a sparsely industrialized Chinese autonomous Muslim region. The area was once the site of multicultural Silk Road trading towns, due to its strategic location next to the Yellow River and its proximity to the ancient capital at Xian and to the trading routes through the steppes.
Twenty of the items are listed as first-class national treasures by Beijing. Even the most intrepid explorers, like the archaeologist Aurel Stein, never reached landlocked Ningxia, where Han Chinese lived in close proximity to Buddhist Tanguts and Zoroastrian Sogdians. Since Chinese archaeologists only unearthed sites in Ningxia in the 1980s and 1990s, the discoveries benefited from the modern practice of learning from the context in which objects were discovered, instead of simply taking the finds home to Europe or Japan for study there.
"Traditionally, Chinese scholarship has been about research on the history of the Han Chinese, but that has changed," said Yeung Chun-tong, director of the Hong Kong University museum, who led the effort to borrow the artifacts from the Ningxia government. The relatively new archaeological work there represents increased interest in the contributions of ethnic minorities to Chinese culture and a growing field of scholarship on the mainland.
In one showcase, a bowl and a gilt silver ewer tell a profound story of globalization. Archaeologists recovered the items in 1983 from the sixth century tomb of Li Xian, a local general. The 8-centimeter-high, or about 3-inch-high, green blown-glass bowl very likely came from the Persians, one of the few civilizations that mastered the technology at the time. The skillfully decorated pitcher features figures from the Greek myth about Helen of Troy [image above]. The piece was probably made in Bactria (in today's Afghanistan), brought to Ningxia by caravan traders with other goods.
Another cabinet holds gold and silver coins. Some are distinctly Byzantine, some are copies. They were prestige items in burial sites in Ningxia for prominent Sogdians. These communities lived in China for centuries, controlling pivotal Silk Road businesses, writing in a script derived from Aramaic and following a form of Zoroastrianism adapted from that practiced in Persia. Like the Chinese, these Sogdians placed their dead in tombs instead of leaving them leaving them in Zoroastrian "towers of silence" to be picked apart by birds.
The exhibit objects range from an early Ming dynasty Koran to wooden printing blocks and Tang-era stone doors decorated with whirling foreign dancers, offering proof of a sophisticated and complex society. Among the works never before shown outside of the mainland are well-preserved silk panels adorned with frolicking children; they are from the 11th century and usually considered too fragile to transport.
"Though we have poor funding, we have the freedom to mount interesting exhibits," said Yeung. The Hong Kong museum, which does not charge an entrance fee, staged "Ningxia" with plenty of goodwill from China and an extremely tight budget. According to Yeung, despite the fact that the museum received free transportation from an art logistics company, it could only spend a maximum of 1 million Hong Kong dollars, or about $128,000, to pay for insurance, borrowing the goods at a steep discount, and installation.
Rest of article.
Oh Jane! Is Nothing Sacred?
Good Goddess! What next? Lassie goes Cujo??? (Image [not from article]: Alleged portrait of Jane Austen circa 1815).
From The New York Times Art Beat
February 17, 2009, 11:31 am
Austen Meets Alien in ‘Pride and Predator’
By Dave Itzkoff
For some viewers, the idea of another Jane Austen-inspired period drama is sufficiently monstrous, but a coming film project seeks to update the formula with actual monsters, Variety reported.
The movie “Pride and Predator,” directed by Will Clark and written by Mr. Clark with Andrew Kemble and John Pape, will juxtapose brooding aristocrats with a brutal alien that lands in 1800s-era Britain, attacking residents and leaving them with neither sense nor sensibility.
The film, to be produced by Elton John’s Rocket Pictures, is the latest work to mix the hoary costume genre with elements of horror. A book called “Pride and Prejudice and Zombies,” credited to Jane Austen and Seth Grahame-Smith and published by Quirk Books, will combine the Austen novel with “all-new scenes of bone-crunching zombie mayhem.”
And a coming novel by Michael Thomas Ford called “Jane Bites Back” depicts the 19th-century author as a frustrated vampire, taking revenge on those who have made money from her work.