"Despite the documented evidence of chess historian H.J.R. Murray, I have always thought that chess was invented by a goddess." George Koltanowski, from Women in Chess, Players of the Modern Game
Pages
Friday, November 23, 2007
Robert Fischer, Chessplayer, Hospitalized
Games of the North American Indians
Two "awl" pegs, one white and one brown, represent the respective players. Each player places their peg at their starting position, which are the western and eastern starting banks of the south creek. The western player moves their awl peg clockwise around the board, and the eastern player moves their peg counter-clockwise, as shown by the arrows on the board.
There are four stick dice that determine the number of spaces a player will move. Three of the sticks have flat sides marked in red with plain white rounded backs; The fourth dice, the ‘trump’ stick, is called ‘sahe’ by the Kiowa because of it’s green painted flat side. When a player reaches or passes their starting bank at the south creek they win a stick counter. Counters may also be taken from an opponent.
***************************************************************************** **********
The website acknowledges that information was gathered from Stewart Culin's "Games of the North American Indians." Culin's book is a fantastic resource - a comprehensive catalog of all kinds of games that Culin discovered in his research of North American Indians around the turn of the last century. Culin, primarily an ethnographer, leaves much to be desired in his descriptions of games. He doesn't delve into the origins of the games or into their history; he was more interested in recording the existence of the games.
It seems pretty clear that once the "Native Americans" came into contact with the "Europeans," the NAs adopted and adapted Euro games to their own use, and so Culin acknowledged in his work. However, the ahl game seems to be pre-Euro. Here is what Culin wrote about the game:
Kiowa. Oklahoma. (Cat. no. 16535, 16536, Free Museum of Science and Art, University of Pennsylvania.)
Set of four sticks of willow wood, called ahl (wood), 10 inches in length, five-eights of an inch in width, and three-eighths of an inch in thickness (figure omitted), nearly hemispheric in section, with one side flat.
Three of the sticks have a red groove running down the middle on the flat side, and one has a blue stripe. The last has a burnt design on the reverse, as shown in the figure [omitted], while the backs of the others are plain. The flat sides are also burnt, with featherlike markings at the ends.
A cotton cloth, 41 by 48 1/2 inches, marked as shown in figure 133 [omitted, but similar to illustration at beginning of this post] called the ahl cloth; a flat bowlder, called the ahl stone; two awls, sharpened wires, with wooden handles, 6 3/4 inches in length; eight sticks, 8 3/4 inches in length, to be used as counters [figure omitted].
These objects were collected by Col. H. L. Scott, U.S. Army, who furnished the following description of the game, under the title of the zohn ahl (zohn, creek; ahl, wood), commonly known as the ahl game.
The ahl cloth is divided into points by which the game is counted. The curved lines are called knees, because they are like the knees of the players. The space between the parallel lines 1 and 1 and 20 and 20 [north-south line] is called the creek, and the corresponding spaces between the parallel lines at right angles are called the dry branches [east-west line]. The sticks are held by the players in one hand and struck downward, so that their ends come on the ahl stone [in the center of the cloth] with considerable force. If all the sticks fall with the sides without grooves uppermost, the play is called white, and counts 10. If all the grooved sides come uppermost, it is called red, and counts 5. Both of these throws entitled the player to another throw. If one grooved side is uppermost, it counts 1; two grooved sides, 2, and three grooved sides, 3. The game is played by any even number of girls or women (never by men or boys), half on one side of the N-S line and half on the other [E-W line]. The flat ahl stone is placed in the middle of the cloth, and the players kneel on the edge. The two awls are stuck in the creek at 1 1 [south]. The player at A [SW] makes the first throw, and the throwing goes around the circle in the direction of the hands of a watch, each side counting the results of each throw on the ahl cloth by sticking its awl just beyond the mark called for by the results of the throw. The moves are made in the opposite directions [that is, the player who starts her awl from the SE side goes counter-clockwise direction]. If in counting any awl gets into the creek at N, that side must forfeit a counter to the other side and be set back to the creek at S. [Problem: there are no counters in the game, other than the awl held by each side. So, does this mean that the awl on the side that lands in the creek must start over? I can't think of another way this might be played, unless there are playing pieces in the game that are not described as part of the equipment]. That side is then said to have fallen into the creek, the object being to jump over. If in their passage around the circle the two awls get into the same division, the last comer is said to whip or kill the former, who forfeits a counter and is set back to the beginning. [Again, are we talking about sending back the other player's awl to the beginning, or are other pieces somehow involved, that were not described in the game?] The counting continues until one gets back to the creek at S. The one first at S. receives a counter, and if there is more than enough to take it to the creek the surplus is added to the next round; that is, the creek is jumped, and the awl put beyond it as many points as may be over. When one side wins all the counters, it conquers. If the game should be broken up before this event the side which has the greater number of counters is victor.
Colonel Scott further states:
The Kiowa have a custom of wetting the fingers and slapping them several times on the stone before a throw, and calling out "red, red," or "white, white," according to the number they desire to count; or, if but "one" should be required to throw the opposite party into the "creek," some one puts her finger into her mouth, and drawing it carefully across the top of the stone, calls out "parko, parko" ("one, one"). Often before the throw the thrower will rub the four sticks in a vertical position backward and forward several times between the palms of the hands, to insure good luck.
The Comanche have a similar game which they play with eight ahl sticks, and the Cheyenne and Arapaho are said to have a game which they play with ahl sticks which are 2 feet or more long.
Great Year for Archaeological Discoveries in Britain
From BBC News online
Last Updated: Thursday, 22 November 2007, 17:00 GMT
Enthusiast unearths Iron Age comb
A 2,000-year-old Iron Age comb unearthed in Warwickshire is one of nearly 60,000 archaeological finds made by members of the public in a year.
The comb, found in Tanworth-in-Arden by metal detector enthusiast Russell Peach, was one of the most notable of the antiquities unearthed in 2006.
The copper-alloy comb was possibly left there between 25AD and 75AD.
Three-quarters of the finds were unearthed using metal detectors; the rest were found by accident.
Details of the discoveries were contained in the Portable Antiquities Scheme Annual Report, launched on Thursday at the British Museum.
'Living thing'
Other notable finds include a copper-alloy Roman horse and rider figure, which was found in Cambridgeshire.
A total of 58,290 finds were recorded by the project during the year 2006/2007, taking the number of finds recorded over the past decade to more than 300,000.
Culture Secretary Margaret Hodge said: "This report brings home to us once again the extent and richness of our 'hidden heritage'.
"As public interest in it continues unabated, I am pleased to acknowledge the many thousands of responsible metal detectorists and amateur archaeologists who continue to help make the past a living thing for present and future generations."
Under the Treasure Act 1996, people who find gold and silver objects more than 300 years old have a legal obligation to report them to the authorities.
Because the comb is made of copper-alloy and not gold or silver it does not qualify as a treasure find.
Important archaeological sites have been discovered as a result of the objects recorded, including Anglo-Saxon burial sites in Derbyshire, Suffolk and Warwickshire.
Another story with photos of the artifacts (posted at beginning of this post is at the Daily Mail, November 23, 2007 - scroll down for the coverage (article posted in full in prior post):
The copper alloy comb, which dates from AD25 to AD75 is thought to have been used for horses and has been described by the British Museum as a "phenomenal thing".
The museum encourages the portable antiquities scheme, a voluntary code to encourage metal detector owners in England and Wales to report finds to local museums.
The scheme is so successful that as many 300,000 finds were reported in its first decade.
No separate information was provided about the "Roman horse and rider" in this article, only the photograph of the objects. Are the really "Roman?" Perhaps they date to the Roman period, but my first impression upon seeing them was of Scythian art. Okay, so I'm crazy! I'd like to see further research on this.
As for the comb being a "horse comb" - please! Why would a comb used on horses be so beautifully decorated - and have that hole in the middle of the crown, just begging for ribbons or a colorful scarve to be threaded through? Only a male archaeologist would call this a "horse comb." It takes a woman to recognize a lady's comb when she sees one. This is no different in basic design than the combs the donas and maidens in Spain wore in their hair more than a thousand years later, or the combs that ladies used to keep their "do's" in place throughout history. Geez!
Woman's Skeleton Excavated in British Roman Garrison
Goddess Palanchowk Bhagawati
Goddess Palanchowk Bhagawati [ 2007-11-23 ]
Bishowa Nath Kharel
Westerners are perhaps most familiar with Kali from her depiction as a bloodthirsty goddess to whom people were sacrificed and children were enslaved in the Indiana Jones movie "Indiana Jones and the Temple of Doom. But the goddess is not so limited. As we’ve learned during the recently concluded celebrations of Kali Durga, this goddess has at least ten different aspects (one aspect for each day of the Kali Durga or Puja Durga celebrations, many of them beneficial and benign. Things get yet more complicated, because Bhagawati is one of the forms of Devi or Shakti, created out of the fiery breaths of the gods Brahma, Vishnu, Shiva to slay the buffalo-demon Mahisasura, whom they were unable to overcome. She is usually depicted riding a lion or tiger, each of her multiple arms bearing a weapon.
Bhagawati shares in common with other primeval goddesses a trinity of essential aspects of virgin-bride, mother-creator, and crone-witch. What the Mother creates she may also choose to destroy – a reflection of the harsh realities of living in a world where "Mother Nature" was often seen as cruel and heartless, and where she yet reigns supreme today. Don’t believe me? Just reflect for a few moments upon the 2004 tsunami that killed a quarter of a million people, the massive destruction and untold suffering caused by Hurricane Katrina; and the problems being caused by the prolonged drought in parts of the southwestern and southeastern United States, Africa and Australia. It is not Kali’s fault that mankind, in its ignorance and arrogance, has attempted to "appease" the goddess through human sacrifice; and, keep in mind, Kali is certainly not the only goddess to whom lives were sacrificed. This kind of practice demonstrates a profound lack of understanding of the fundamental nature of the goddess.
Whenever someone writes that a goddess "demanded" human sacrifice – don’t believe them without doing further research; chances are they are either misogynists or are "born-again" zealous reformist types dedicated to a patriarchal god - or they have been seduced by the seeming "logic" of such beliefs. Both types of goddess bashers have been quite successful in rewriting the history of the goddess over the past 2000 years!
Wednesday, November 21, 2007
T'was the Night Before Thanksgiving...
2007 World Youth Chess Championships
Unique Statuette of Virgin Mary Found
Newly Discovered Old Iranian Inscription
This is for the first time that an Old-Persian inscription has been ever been discovered in Karg Island and five of the six words carved in this inscription, have never been seen before in any other Old-Persian inscriptions.
Speaking to the Persian service of CHN, Reza Moradi Ghias-Abadi, archaeologist and expert of ancient languages, who have succeeded to read the discovered inscription in Kharg Island through the pictures which have been sent by local people, said that the details and final result will be clarified by researches who will attend the area to study the inscription.
This Achaemenid inscription has been recently unearthed accidentally during the road construction activities in Kharg Island, northwest of Persian Gulf and in Bushehr province.
The inscription was carved on a piece of coral reef with the approximate size of one in one meter. Although this inscription has been separated from its original place, evidence indicates that it must have been carved on a coral cliff in the island and was not portable.
This cuneiform inscription is consisted of six lines which apparently each line is consisting one word in Old-Persian script.
The first four lines of this inscription have been separated by a narrow long line from the rest two lines. While all the Achaemenid imperial inscriptions were royal text and were carved very delicately, the appearance of this crude inscription shows that it must have been carved in a hurry.
The Old-Persian cuneiform which was called Aryan (OP. ariyā) was created during the reign of Darius the Great (r.549-485 BCE). However, some scholars believe that Aryan was invented by the first Iranian dynasty, the Medians (728-550 BCE), and then adopted by the Achaemenids as the imperial script. The script continued to survive, though in a corrupt form as late as the first century BCE.
The characteristic of Kharg inscription is a combination of both early and late Achaemenid period. Working on Kharg cuneiform inscription revealed that that the style of early Achaemenid period was implemented in writing the last two lines of the inscription and the late Achaemenid writing style was incised in the first four lines.
The inscription is also is being studied by the linguists at “The Research Centre of linguistics, Inscriptional and Manuscript Studies” (RCLIM) in Tehran. On Monday the RCLIM announced that any decipherment of the inscription by individuals considered to be unofficial and possibly wrong.
Old Persian was the vernacular tongue of the Achaemenid monarchs, but had already been spoken for a few centuries prior to the rise of the Achaemenid dynasty to power in 550 BCE. It is the oldest attested Persid language, which is classified in the group of Western Iranian languages. The Middle-Persian (Sasanid-Pahlavi) and New Persian, the lingua franca of Iran, are the direct continuation of the Old Persian evolution.
November 21, 2007
The cuneiform inscription, comprising six words on six different horizontal lines inscribed on a piece of uneven rock encrusted with corals, has been found last week during a road construction project. Measuring about a meter square, the rock has become detached from its original terrain.
Initial studies show the artefact dates back to the Achaemenid dynastic era (550-330 BCE).
The first, second, fifth and sixth words are quite easily legible, but the third and fourth words are difficult to make out due to erosion, explained expert on ancient languages Reza Moradi-Ghiasabadi.
Moradi-Ghiasabadi has deciphered the inscription from photos sent to him by the locals.
According to Moradi-Ghiasabadi, the first word reads “aahe” or “ahe”, which means “was” or “were”. This word has frequently been observed in ancient Persian inscriptions. However, the other five words are new discoveries.
The second word reads “sakosha” or “sakusha”.
“This word obviously denotes a particular name, which has so far never been seen in any ancient inscription, but it is similar to words used by the Scythians,” Moradi-Ghiasabadi said.
Only two letters of the third word are legible and these read “hi”. Again, only two letters of the fourth word are decipherable and these are pronounced “ka” and “aa”.
The fifth word reads “bahanam”, for which no meaning has been found.
The sixth word seems to be damaged but the end of it reads “kha”.
The inscription has been made both quickly and carelessly and its writer has not used the cuneiform comma as every word has been inscribed on a separate line.
The artefact has three crown-shaped motifs incised in a side-ways fashion in the middle of the inscription and also at the beginning of the third and fourth lines. The motifs are similar to the crowns of some of the Sasanian king of kings.
Inscription’s authenticity doubtful
Moradi-Ghiasabadi urged that the object should first be examined for authenticity.
He cited some points which throw doubt on the genuineness of the inscription: careless and fast writing -- which is not commonly observed in previously discovered Achaemenid inscriptions -- slight layers of sediment on the edges and insides of the letters, multi-typography style of the inscription, unknown words and the use of strange motifs resembling the Sasanid Imperial crown in an allegedly Achaemenid artefact.
*Please note the above-news is NOT a "copy & paste" version from the mentioned-source. The news/article above has been modified with the following interventions by CAIS: Spelling corrections; -Rectification and correction of the historical facts and data; - Providing additional historical information within the text; -Removing any unnecessary, irrelevant & repetitive information.
All these measures have been taken in order to ensure that the published news provided by CAIS is coherent, transparent, accurate and suitable for academics and cultural enthusiasts who visit the CAIS website.
Rhyton To Be Returned To Iran
Announcing this news, Omid Ghanami, deputy head of the legal department of the ICHHTO told Persian service of CHN: “With following the case through the retrieval committee of ICTTO, this rhyton will be returned to its home country.”
Expressing his satisfaction with the trend of retrieval of Iranian historical relics due to its membership in UNESCO’s 1970 and 1995 conventions, Ghanami said that Iran is also following the case for redeeming its historic objects from Italy and UAE.
Regarding the characteristics of this rhyton, Masoud Nosrati, director general of Museums and Exhibitions at ICHHTO, said: “after studies were conducted on the images of the artefact provided by Romanians, the rhyton in form of an ibex, became evident that this historic object is Iranian and most probably was made in the northern parts of Iran.”
According to Nosrati, some other rhytons similar to this one have been discovered in Iran and one of the most similar ones was found in Kaluraz region in Gilan which is currently kept in Iran’s National Museum.
Deputy head of the legal department of ICHHTO or one of the other authorities of this Organization will travel to Romania next week to take this historic rhyton back to its home country.
*Please note the above-news is NOT a "copy & paste" version from the mentioned-source. The news/article above has been modified with the following interventions by CAIS: Spelling corrections; -Rectification and correction of the historical facts and data; - Providing additional historical information within the text; -Removing any unnecessary, irrelevant & repetitive information.
All these measures have been taken in order to ensure that the published news provided by CAIS is coherent, transparent, accurate and suitable for academics and cultural enthusiasts who visit the CAIS website.
Tuesday, November 20, 2007
2007 World Youth Chess Championships
The Power of the Squirrel
Monday, November 19, 2007
Zenobia, Queen of Palmyra
In Honor of Thanksgiving Day
--2 large cans of sweet potatoes in light syrup (not sweep syrup) – 2 lbs. 8 oz. each --Juice from one orange (4 tbsp) --Finely zest the orange peel (start with one tbsp and add to taste) --½ stick butter – softened, not melted --4 tbsp Irish whiskey (may need to adjust more or less to how tight or loose the potatoes are) OR several drops rum flavoring – to taste --1 to 2 tsp vanilla (start with 1 and add more to taste) --½ cup milk, half and half, or cream (may need to add more, depending on how tight or loose the potatoes are) --½ tsp cinnamon (add to taste) --1/8 tsp ground nutmeg (add to taste) --Salt and pepper to taste
Optional: few drops of lemon juice (brightens the flavor)
Drain potatoes; mash and then whip until smooth-ish consistency is achieved
THEN: Add and stir in ingredients a few at a time, and whip intermittently, tasting often, and adjust ingredients to taste throughout process
End product should look rather like orange to dark-orange chiffon and have a light, fluffy, uniform texture
Spoon into large casserole dish.
If you used Irish whiskey to flavor, bake the casserole at 350 degrees for 30 minutes, to bake off the alcohol. Can be reheated in microwave.
If you used the rum flavoring, you don’t need to bake in the oven, you can heat through in microwave.
Oh oh - no no!
Sunday, November 18, 2007
For the Ladies
Follow-Up: A Controversy of Biblical Proportions
Why Diffusionists Have a Bad Name
Ancient History Plutarch Was Right
(The Gallery Collection/Corbis)
Though scholars continue to debate the precise nature of the gas—an Italian team published a paper last year arguing that methane-induced oxygen deprivation was the culprit—Hale says the bigger point is that this debate is happening at all. "People were responding to very specific phenomena in the Earth's surface," he says. "Modern science confirms the validity of those ancient observations, and this is a great way of looking at ancient religion."
Nun Advocates Goddess Worship
Catholic University to Give Award to Goddess-Worshipping Theologian
Sister Elizabeth A. Johnson advocates calling God 'She Who Is'
By Thaddeus M. Baklinski
Miami, November 13, 2007 (LifeSiteNews.com) - The Department of Theology and Philosophy of Barry University which is run by the Dominican Sisters of Adrian, Michigan, will give an Award for Theological Excellence in January to radical feminist theologian Sister Elizabeth A. Johnson, a professor at Jesuit run Fordham University.
Sister Elizabeth, who advocates goddess worship, actively dissents from the Church's infallible teaching on the invalidity of women's ordinations and promotes the cause of world government and a one-world religion. In her book She Who Is (Crossroad, 1993) Sister Elizabeth announced "that the time has come to stop addressing God as Father, Son and Holy Spirit, and to begin addressing Him as 'She Who Is.'" For this she won awards and a promotion to "Distinguished" Professor of Theology at Catholic Fordham University.
Here she joins the ranks of such notables as Sister Sandra Schneiders, IHM, professor of New Testament at Berkeley's Jesuit School of Theology, who has vilified the Faith for two decades. In Beyond Patching (Paulist, 1990) Schneiders wrote that "every aspect" of the Catholic faith "is not just tainted but perverted by the evil of patriarchy. It is not that the tradition has some problems; the tradition is the problem."
In an article in the National Catholic Reporter, Nov 17, 2000, Sister Elizabeth said women have long been "denied equality with men in access to sacred ties, places, actions and even identity," and "women have been consistently robbed of our full dignity as friends of God and prophets," by the likes of St. Augustine and Thomas Aquinas. She bemoans the church statements forbidding the ordination of women, that in her words, "locate the image of Christ in the male body rather than in the whole person being made christomorphic by entering into the dying and rising of Christ." That Jesus Christ was a man seems to elude her.
Sister Elizabeth endorses Call To Action, a radical anti-Catholic group founded in the 1960’s to agitate within the Catholic Church to overturn Catholic teaching on the sanctity of life, marriage and the meaning of the priesthood. The group has been excommunicated for “causing damage to the Church of Christ” (Giovanni Cardinal Battista Re, Apostolic Signatura) and being “totally incompatible with the Catholic faith” (Bishop Fabian Bruskewitz, Lincoln, Nebraska).
When asked for a comment on the award being given to Sr. Elizabeth, the office of the Archbishop of Miami had difficulty finding someone who would make a statement.