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Saturday, May 9, 2009

Cretan Bird Goddess

From the March/April 2009 edition of Biblical Archaeology Review Worldwide (p. 72) Crete With lavish painted ornamentation and a dramatic pose, this female figurine commands attention. The bird perched atop her head announces her divine status, as birds such as doves and pigeons were symbols of a goddess throughout the ancient Mediterranean world. Found at the center of a small communal shrine at Knossos, on the island of Crete, this 8.5-inch, clay figurine from the 14th century B.C. represents a Minoan goddess. According to scholar Giorgos Rethemiotakis, the goddess’s oversized arms and accentuated eyes “vividly bring to life the message and content of the prayer, the immediate visual and mental contact of the goddess with the praying faithful.” Minoan religion centered around goddess worship; there also is evidence of a powerful female priesthood. Since the language of the Minoans has never been deciphered, mot of what we know of the civilization comes from Greek and other neighboring cultures.

1 comment:

  1. ...this gal would be lady birdsnake,the weaving goddess,
    notice both her hands are in
    the air, she is goddess of air,
    ekatheron(gk)=throw of the xiotl(N)/shuttle, within the gk word
    for katherine, we see, hecate/
    ehecatl(N/day2booktones), venus
    is her planet and she is mother of
    birdsnake quetzalcoatl and zeus
    as well, first known to the greeks
    as snake but an aryan skygod.
    weaving villages settled along
    the danube, the art of weaving
    itself may have come from the east,
    e.g., hecate's father, perseus,
    is the word persian, the coastal part of iran on the gulf of ormuz,
    where the superb mayan weavers came from as the 2nd coming of
    quetzalcoatl c. 1.5 bc, slightly
    later than the olmec civ. which
    is called the mother race of mexico, in fact, i have them as
    rowers for the sea age, rope
    people, e.g., olmecatl(N)=
    ollin/roll rope/mecatl(N)=
    me(r)cat/do(letra)=market.
    the inca= in ca(N)=
    the/in-ca/being, quechua(idiom)=
    oquichtli ua(N)= man(hood)owners,
    later, o(r)qui(ch)d/tli, as in,
    orquidectomy(surgery), call their
    master weavers, mama(quechua)=
    ma ma(N)=carry the nethand, as in,
    teomama(N)=deo carrier/priest.
    ehecatl/hecate is the goddess,
    her hands were weaving women/mama
    who carried el niƱo dios.
    she later hands her crown over
    to mary at ravenna,
    san apoolinari, there in the mosaic
    of the 22virgin martyrs,
    she's present as 2 archangels either side of
    enthroned mary jesus in her
    lap, the 3king lord of princes/
    piltzintecuhtli in front of her,
    and the 22 weir hens=her son,
    quetzalcoatl's birthday in the
    tonalamatl/book of souls, 22d day.
    9 ehecatl in the 2nd trecena of
    ocelotl, priestly sign and animal
    of the firedrill birthing cave
    goddess, tlatlatzolteotl, our
    chthonic/chitoni(N)=spark thea,
    the first goddess.
    from what i can tell of the origin of weaving, it may have
    started not in the east, but north,
    as ehecatl/hecate is in the northern quadrant of the booktunes,
    where you would expect the climate/
    cima(N) would dictate clothing,
    then it descends to the danube and travels east, but before that we
    have weave from tree/treow/teotl,
    and that would be north too, e.g.,
    ainu, of course palm and cane/acatl(N). but for cold europe the first
    weavings would be from wool/uelana,
    and the wool weave goddess would be
    ehecatl/hecate, as in heck/heckle
    (a linen process), now that throws
    my wool theory off, as that may
    have started with the harappians
    in india and moved to egypt,
    isn't the world wonderfully complex? who needs et's?.

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