Monday, May 16, 2011

I Found It! The source of the image used in the May 14, 2011 Kamiak Post

Prior post.  Here's a larger version of it, which makes clear that what I thought was a blue infant is not an infant at all!

I found it at Wikipedia while searching for images of nagini - I figured it had to be an Indian (not Persian) image and after discussing it with Mr. Don, went on the hunt.  Here is the information on the image:


ArtistIndischer Maler um 1640
Title
English: Krishna dances over the subdued Kaliya Naag in river Yamuna, while his wives are praying to Krishna for his mercy. Also seen on the banks are people of Gokula, Krishna's father Nanda Baba and his brother Balarama. From a Bhagavata Purana manuscript, c. 1640.
Deutsch: Bhâgavata-Purâna-Manuskript, Szene: Krishna bezwingt die Schlange Kaliya
Русский: Бхагавата-Пурана: Кришна танцует на головах Змея Калии
Date
Deutsch: um 1640
English: c. 1640
Medium
Deutsch: Papier
Dimensions
Deutsch: 34,4 × 21,6 cm
Deutsch: Museum
Deutsch: Kotah
Notes
Deutsch: Buchmalerei, Bûndî-Schule
Source/PhotographerThe Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202. Distributed by DIRECTMEDIA Publishing GmbH.
Permission
(Reusing this file)
[1]

Sunday, May 15, 2011

2011 European Individual Women's Chess Championship

Official website.

Standings after R8 - Cimilyte, who was not a favorite coming in, is in first place and good for her!

Rank after Round 8

Rk.NameFEDRtgPts. TB1  TB2  TB3 nwwew-weKrtg+/-
1GMCmilyte ViktorijaLTU25046.5267932.042.086.54.791.711017.1
2IMKhotenashvili BelaGEO24706.5266231.541.586.54.601.901019.0
3GMDanielian ElinaARM25066.0261332.043.0864.901.101011.0
4GMLahno KaterynaUKR25306.0260731.541.0865.220.78107.8
5GMStefanova AntoanetaBUL25066.0259331.542.0865.120.88108.8
6IMJavakhishvili LelaGEO24546.0258630.040.0864.631.371013.7
7GMCramling PiaSWE24686.0258131.040.5864.851.151011.5
8GMKosintseva TatianaRUS25596.0257726.035.5865.810.19101.9
9GMArakhamia-Grant KetevanSCO24626.0255227.536.5865.090.91109.1
10WGMPaikidze NaziGEO24085.5254031.539.585.54.051.451521.8
11IMOvod EvgenijaRUS24045.5253831.040.585.54.001.501015.0
12IMKosintseva NadezhdaRUS25675.5253730.541.085.55.75-0.2510-2.5
13IMMuzychuk AnnaSLO25375.5253229.539.585.55.51-0.0110-0.1
14IMKhurtsidze NinoGEO24365.5252229.038.085.54.530.97109.7
15WGMSavina AnastasiaRUS23895.5249027.036.585.54.331.171011.7
16GMKosteniuk AlexandraRUS25225.5245727.035.585.56.00-0.5010-5.0
17WGMBatsiashvili NinoGEO23995.5245129.037.585.54.870.63159.4
18WGMManakova MariaSRB23035.5235625.533.585.54.301.201518.0
19IMMatveeva SvetlanaRUS23805.5229524.532.085.56.01-0.5110-5.1
20WIMIsgandarova Khayala Ilqar QiziAZE21435.0247225.034.0851.683.321549.8
21IMGalojan LilitARM23775.0245630.039.5854.060.94109.4
22GMHoang Thanh TrangHUN24565.0245426.535.5854.990.01100.1
23WIMKazimova Narmin Nizami QiziAZE22625.0244726.535.0853.031.971529.5
24IMRomanko MarinaRUS23875.0244629.038.0854.320.68106.8
25IMFoisor Cristina-AdelaROU24145.0243629.538.0854.710.29102.9
26IMMelia SalomeGEO24445.0242828.038.0855.15-0.1510-1.5
27IMMkrtchian LilitARM24685.0242728.037.5855.43-0.4310-4.3
28IMBodnaruk AnastasiaRUS24195.0242628.537.5854.830.17101.7
29IMMoser EvaAUT24455.0241825.033.5855.27-0.2710-2.7
30WGMZawadzka JolantaPOL24005.0241727.536.0854.730.27102.7
31IMMuzychuk MariyaUKR24735.0241425.534.0855.59-0.5910-5.9
32WIMBulmaga IrinaROU22845.0238624.533.0853.911.091516.4
33WIMArabidze MeriGEO22775.0238526.535.5853.841.161517.4
34WGMGuramishvili SopikoGEO22995.0238325.533.0853.791.211518.1
35WGMNemcova KaterinaCZE22945.0236629.037.0853.681.321519.8
36WIMAbdulla Khayala Mardan QiziAZE21685.0229322.030.5853.641.361520.4
37WGMPogonina NatalijaRUS24485.0229123.531.5856.38-1.3810-13.8
38GMZhukova NataliaUKR24285.0228120.528.0856.34-1.3410-13.4
39WIMJanjghava NatiaGEO22915.0227523.030.5854.550.45156.8

There are lots of shocks in the current standings. Outstandings players such as GM Nana Dzagnidze (GEO 2557), after such a brilliant finish in the Women's Grand Prix, finds herself in 40th place with 4.5, behind compatriots with much lower ELOs!  On the other hand, I'm glad to see GM Pia Cramling, who's ELO has slipped below 2500, up with the front runners, tied with 6.0.  She competed head to head with the Polgar sisters back in the late 1980's/early 1990's. She was among the first female chessplayers to EARN the GM title in the traditional way males players earn it. Yeah, I know, that was a lifetime ago to a lot of chess fans today who weren't even born until 1997.  On the other hand, my girl Narmin Kazimova from Azerbaijan is hanging tough with 5.0 in 23rd place (out of 130 players).  You go girl! 

There's still a lot more chess to come, though, and the final rounds will be crucial.  This is an 11 round event, so rounds 9, 10 and 11 need to be played - and all bets are off as far as I'm concerned, darlings!  I've absolutely no idea who may take the title or even place in the top 10!  I'm looking for Kosteniuk to make a move, and Lahno too. I don't count out reputed party girl Stefanova, either.  I am also rooting for Salome Melia of Georgia, who won so many hearts and souls in Montreal when she came at our behest and played in the 2009 City of Montreal Open Chess Tournament and finished second overall. 

Stay tuned...

While Hou Yifan Is Training for the WWCC, What's Koneru Humpy Doing?

(Setting the stage...) From The Times of India:

Koneru Humpy wins FIDE Grand Prix
TNN, Mar 6, 2011, 05.42am IST

MUMBAI: Top seed Koneru Humpy earned the right to challenge world women's champion Hou Yifan of China after winning the FIDE Women Grand Prix at Doha on Saturday.

Humpy tied with Elina Danielian of Armenia in the 11-round event on points but her better tiebreak (SB) score helped her clinch the first place.

The Indian scored two crucial wins, against Lilit Mkrtchian of Armenia in the penultimate round and then beat Zhu Chen of Qatar to edge out the Armenian, who had lost to the Indian in their meeting. Humpy and Danielian logged eight points each.
  ******************************************************
From The Times of India:

Humpy has to be tactically alert: Anand
Amit Karmarkar, TNN, Mar 7, 2011, 11.18pm IST

PUNE: K Humpy is the first Indian woman to be one step away from being the World chess champion. She will play the title match against China's Hou Yifan, an opponent she lost to twice in the knockout semifinals.

Humpy set up this match by winning the Doha chess Grand Prix by staging a remarkable rally: 5.5 points in the last six rounds. Only V Anand among Indians has reached thus far (world title match), and beyond. And the undisputed World champion in all formats of the 64-square game have been following the Doha meet keenly. He spoke to TOI from Chennai.

How would you describe the significance of Humpy's achievement?

It's a fantastic win. She has been missing out a lot of these events. She came close in knockout format twice but couldn't finish it off. I was following the GP from the beginning and the things were not going well for her initially. And once Danielian Elina ( Armenia) started doing well, it became worse for Humpy. She had to depend on her results but also on other results. But full credit to her for fighting it out, especially in the last two games.

How do you see the evolution of Humpy as a super player among women?

She has managed to keep her high rating comfortably. But that big breakthrough was not happening. Now she gets an opportunity. India-China rivalry is good for chess. Having said that, Hou is a ridiculously talented girl.

What's the way to beat Hou?

Humpy has to be tactically much more alert. The initiative has to be converted into a point. She has to find a way to improve her technique. There is no point in outplaying someone if (she) can find an escape route tactically. Hou is not a clear favourite as such. But she is dangerous.

You don't advocate the word revenge that strongly. But the match against Hou provides just that kind of opportunity for Humpy...

If revenge motivates you, go for it! But the main thing is to set your game in order. She has to train well and continue her good run in other events preceding the title match, the schedule of which is unclear.

Any comments on the problems between Humpy and AICF (Humpy had skipped Olympiad and Asian Games recently)?

I would advise Humpy to forget everything. Just concentrate on the game.

Humpy reaching the title clash also happened in proximity to the International Women's Day...

It adds a nice touch. Humpy reaching thus far is a huge thing for women's chess in India.
***********************************************************
From The Hindu:

Online edition of India's National Newspaper
Tuesday, Mar 08, 2011
Humpy a step closer to realising dream
V.V. Subrahmanyam

HYDERABAD: World No.2 Koneru Humpy believes that she has moved one step closer to realising her dream of winning the World title, by becoming the first-ever Indian woman chess player to earn the right to challenge the reigning world champion Hou Yifan in a 10-match series later this year.

Humpy, who returned victorious from the Doha Women's Grand Prix Series edition last week, told The Hindu on Monday that she had earned her berth in the prestigious final by virtue of her performances in the Grand Prix Series in the last two years. “Picking up points from each of the Series, I turned out to be the highest ranked player and this gives me the chance to challenge the world champion,” she said.

“The new format for the World championship worked to my advantage. I had reached the semifinals twice in the last two World Championships played in a knock-out format,” Humpy said. But Humpy had lost to Hou Yifan in both the semifinals.

“It was a big disadvantage for me in 2008 as I had to start with black. Then the next time when I played her, for various reasons the confidence level was not that high,” she recalled.

The Vijayawada-based former world junior champion believes that the 10-game final format should give her a huge psychological advantage. “You can always fight back even if there are reverses in the first two rounds,” she said.

Humpy indicated that she might hire a ‘second' as part of her preparations for the World championship. “I am seriously thinking about this and will choose a second, once I plan out my schedule,” she said. “As of now, there are no confirmed plans to take part in any events before the World championship.”

Humpy (Elo 2607) also says that the World championship preparations are bound to be different this time around. “But having come so close to realising my childhood dream, I do believe that I should make every effort to make optimum use of the chance to play in the final,” she said.

Her father-cum-coach Koneru Ashok also revealed that the ‘second' would be named in a few days. “I personally believe that the 10-game format should help Humpy. This really suits her style and if everything goes according plan she is capable of pulling off the biggest win of her career,” he said.
*************************************************************
From The Hindu:

Coaching  young talent to excel at summer camps
March 27, 2011
V.V. Subrahmanyam

During his hey days, Lanka Ravi, the first-ever International Master from Andhra Pradesh, clearly missed proper guidance and exposure to be a much better player than what he eventually ended up.


So, in an apparent bid to ensure that the best of the young talent doesn't suffer for want of support on all fronts, Ravi started the Cyber Chess Academy in Hyderabad has been unobtrusively running it with the specific intent of producing quality players.

Ravi, who is a senior officer in the ONGC looking after the sports and who was also instrumental in many chess players including World No. 2 Koneru Humpy getting a job in the organisation, has now embarked on a mission, literally – to run summer coaching camps for the young talent with a huge difference.

Come summer, it is time for everyone, irrespective whether they themselves were sportspersons in their respective fields, to announce the plans of summer camps.

Most of them end up with capitalising on the interest of the kids rather than genuinely interested in spotting talent and also suggesting how to groom it.

But in the case of Ravi, he made it clear that his summer coaching camp for boys and girls commencing from April 2 in Tarbund should usher in a new chapter in coaching itself.

Exactly with this specific objective in mind, Ravi proposes to organise summer camp between April and May with the novelty being that the students can register themselves for 15 days with three-hour daily schedule.

“I have decided to focus on those in the age group of five to 16 years. But let me make it clear that the camp doesn't end there. I will make sincere efforts to see that they compete in the Talent Search matches wherein in the Academy will identify the select players and offer free training for the entire year from June to next March,” he explains.

And, unlike many run-of-the mill academies that have come up in the city, Lanka Ravi is keen to hire the services of a team of Grand Masters and International Masters to smoothen the rough edges of the young talent.

“This should help the players to look ahead and aim big. For any interaction with a Grand Master is like a young schoolboy cricketer meeting a Test star,” says Ravi.

Interestingly, Cyber Chess Academy also offers annual coaching classes by IMs and the GMs besides organising exclusive seminars by world class players and select players.

And one of them is scheduled for March 27 from 11. 00 am.

Not long ago, Ravi saw to [it] that former World junior champion Vera Nebolsina of Russia spent a couple of days with the Academy trainees.

“We will continue to see that many more champions visit our Academy. The logic is simple. I am trying my best to see that the talented kids get the desired coaching,” Ravi signs off.
*****************************************************************
So, while Hou Yifan is furiously competing against top level male chessplayers and succeeding in ratcheting up her ELO, Koneru Humpy has a job coaching kids.
******************************************************************
From The Times of India:

India not in fray for title fight between Humpy-Yifan
Hari Hara Nandanan, TNN, Apr 12, 2011, 03.25am IST

[Some background:  There have been ongoing disputes and open warfare in the press between the All India Chess Federation (ACIF) and GM Koneru Humpy for at least 2-3 years now, regarding the level of financial support/sponsorship ACIF has promised but not provided, and other matters.  Relations between one of the top female players in the world and her home country's chess federation, ACIF, are not good, to put it politely.  This ongoing tension between player and federation is psychological poison for a chess player who is attempting to prepare for a world championship match.  Chess politics really really SUCKS.]

CHENNAI: The dates for the Koneru Humpy versus Hou Yifan women's world chess title match have been finalized but the venue will be known only on May 31, the last day for the bidding process to close. The world chess federation (FIDE) while opening the bidding process has announced that the 10-game match between the Indian and the Chinese will be played between November 10 and December 5 but right now it is not clear where the bid is going to come from.

Interestingly, it is certain that India won't be bidding for the match, though the All India Chess Federation (AICF) has not said so. Humpy's father-cum-coach Koneru Ashok has ruled out AICF making any bid. Though he did not explain the reason, it is understood that it could be because the player and the federation had some issues last year before the Asian Games.

"I don't think India will make a bid for the match," Ashok told TOI on Monday. Naturally, the bid has to be routed through the national federation. The prize fund for the match is 3,00,000 euros (in excess of Rs 1.8 crore) and even if the federation had a good relationship with the player, it would have been difficult for AICF to raise the amount as it will probably be looking to find a sponsor for Viswanathan Anand's title match next year, so that India could host the match.

The playing conditions and schedule for the match have been finalized. There will be a rest day after every two games and the tie-breaker, if required, will be played a day after the last game. In all, the match will last 20 days, including the inauguration and prize distribution. The total expenses for the match including prize fund, FIDE fee, arbiters fee etc would be around Rs 3.5 crore.

Ashok revealed to ToI that Humpy's camp had finalized the training team and seconds, but details would not be divulged for obvious reasons.

GM Hou Yifan - Seriously Preparing for Women's World Championship Match

I read earlier this morning at Susan Polgar's chess blog that GM Hou Yifan, who won the Women's World Chess Champion title in December, 2010, is playing in yet another high-powered tournament, this one in China, an invitational with some of the top Chinese male players.  Good for her! The event is the 2nd Danzhou GM Chess Tournament.  Here are the players:

Wang Hao 2732
Wang Yue 2714
Ding Liren 2664
Bu Xiangzhi 2662
Ni Hua 2661
Li Chao b 2656
Yu Yangyi 2646
Zhou Jianchao 2636
Hou Yifan 2612
Zhou Weiqi 2610
Average elo: 2659 (this will be a strong event)

Play started May 14th.  I'll keep my eye on how Hou does. 

GM Humpy Koneru of India will be challenging Hou in a match later this year for the Women's World Champion title (assuming sponsorship is found - always a question with FIDE -- the playing venue is supposed to be announced by FIDE on May 31, 2011, and darlings, I'm not holding my breath that such an announcement will be made unless it's to say that the bidding process has been extended - indefinitely...).  Since the Women's Championship knock-out event in December, 2010, Hou has pushed her ELO to 2612, the highest it's ever been.  Meanwhile, I haven't read much about what Humpy's doing.  Is she holed up with a trainer somewhere?

And, if she is, which approach is better - Humpy's - or Hou's?  Supposedly the championship match will begin sometime in November and continue into December, and take 20 days (including days off).

The 2nd Danzhou will give Hou a workout for sure!  She did okay in the recently concluded Asian Individual Chess Championship (Open) in a field full of men (she was the only chess femme), scoring 50% - 4.5/9 - but her performance rating was sub-par, nearly 200 points below her ELO (in other words, not so good).  But - gaining invaluable experience mixing it up with top notch male players, staying out of the women's "chess ghetto."  It seems obvious now that the Chinese chess establishment's - and Hou's - strategy for getting ready for her championship match is to train in the school of hard knocks, and the 2nd Danzhou's line-up of players is much tougher, ELO-wise, than the players Hou faced in the 2011 Asian Individual Chess Championship! 

The Asian Championship followed on the heels of the 2011 Chinese Individual Chess Championship (Open) in which Hou once again was the only female in a field of strong male players (March, 2011):

Final Ranking after 11 Rounds

Rk. Name FED Rtg Club/City Pts. TB1 TB2 TB3
1 GM Ding Liren CHN 2637 浙江 9.0 0.0 44.25 7
2 GM Ni Hua CHN 2646 上海 7.0 1.5 35.25 6
3 GM Zhou Jianchao CHN 2660 上海 7.0 1.0 34.25 4
4 GM Zhao Jun CHN 2580 山东 7.0 0.5 32.75 5
5 GM Hou Yifan CHN 2602 山东 6.0 0.0 31.00 2
6 GM Yu Yangyi CHN 2652 北京 5.5 1.0 25.25 3
7 GM Wang Yue CHN 2734 天津 5.5 0.0 26.25 3
8 GM Li Chao b CHN 2646 北京 5.0 0.5 26.00 3
9 GM Bu Xangzhi CHN 2677 山东 5.0 0.5 21.75 3
10 Xiu Deshun CHN 2508 北京 4.5 0.0 20.75 2
11 GM Li Shilong CHN 2520 广东 3.5 0.0 15.25 3
12 M Zhang Ziyang CHN 2442 重庆 1.0 0.0 5.25 0

Hou also played in the 1st Chinese Female Professional Chess Tournament (an event designed specifically to test her???) and while she did win the event with an impressive score of  9.0/11 - she clearly outrated her opponents by more than 200 ELO points.  It was to be expected that she would win - and she did.  But she also had embarrasing loss to WGM Ding Yixin (2376) and lost nearly 8 ELO points for that one game alone!  Not cool.  Beware the women's chess ghetto.  Female players are formidable but they often lack confidence when going up against male players - the whole male/female psychology thing, etc. etc.  The only way to overcome that baloney is to play a ship-load's worth of games against male opponents, win/lose/draw, and take the lumps and bumps that come with such play.

Will we be seeing more of Ding Yixin in the future, I wonder?  If she's good enough to beat the best female player that China has offered up for public consumption, perhaps the Chinese authorities are considering it...

What is a "Lamiak?" - Part 3

I started the discussion yesterday when I came across the term lamiak in an article about the discovery of c. 25,000 year old cave paintings in Basque country, Spain.  Before searching for information on the internet, I consulted my worn copy of The Woman's Encyclopedia of Myths and Secrets by Barbara Walker and I found a wealth of information under its entry for Lamia.  (Lamiak is the Basque plural for lamia).  I then went on the hunt for further information online about lamia, but intend to wrap up the discussion by exploring the cryptic note at the end of Walker's entry on Lamia - see Vagina Dentata. I know it's strange to be reading Part 3 last in the series, but that's the way the blog is set up and generally I like the format where the most current information is presented first; it doesn't work well for "series" posts like this one. Please scroll down to read the prior two posts on the subject "What is a "Lamiak?" or click on the link above to take you to the prior posts.

Vagina Dentata
"Toothed vagina," the classic symbol of men's fear of sex, expressing the unconscious belief that a woman may eat or castrate her partner during intercourse.  Freud said, "Probably no male human being is spared the terrifying shock of threatened castration at the sign of the female genitals."(1)  But he had the reason wrong.  The real reason for this "terryfying shock" is mouth-symbolism, now recognized universally in myth and fantasy: "It is well known in psychiatry that both males and females fantasize as a mouth the female's entranceway to the vagina."(2)

The more patriarchal the society, the more fear seems to be aroused by the fantasy.  Men of Malekula, having overthrown their matriarchate, were haunted by a yonic spirit called "that which draws us to It so that It may devour us."(3)  The Yanomamo said one of the first beings on earth was a woman whose vagina became a toothed mouth and bit off her consort's penis.  Chinese patriarchs said women's genitals were not only gateways to immortality but also "executioners of men."(4)  Moslem aphorisms said: "Three things are insatisable: the desert, the grave, and a woman's vulva."(5)  Polynesians said the savior-god Maui tried to find eternal life by crawling into the mouth (or vagina) of his mother Hina, in effect trying to return to the womb of the Creatress; but she bit him in two and killed him.(6)

Stories of the devouring Mother are ubiquitous in myths, representing the death-fear which the male psyche often transformed into a sex-fear.  Ancient writings describe the male sexual function not as "taking" or "possessing" the female, but rather "being taken," or "putting forth."(7)  Ejaculation was viewed as a loss of a man's vital force, which was "eaten" by a woman.  The Greek sema or "semen" meant both "seed" and "food."  Sexual "consummation" was the same as "consuming" (the male).  Many savages still have the same imagery.  The Yanomamo word for pregnant also means satiated or full-fed; and "to eat" is the same as "to copulate."(8)

Distinction between mouths and female genitals was blurred by the Greek idea of the lamiae - lustful she-demons, born of the Libyan snake-goddess Lamia.  Their name meant either "lecherous vaginas" or "gluttonous gullets."(9)  Lamia was a Greek name for the divine female serpent called Kundalini in India, Uraeus or Per-Uatchet in Egypt, and Lamashtu in Babylon.  Her Babylonian consort was Pazuzu, he of the serpent penis.  Lamia's legend, with its notion that males are born to be eaten, led to Pliny's report on the sexual life of snakes that was widely believed throughout Europe even up to the 20th century: a male snake fertilizes the female snake by putting his head into her mouth and allowing himself to be eaten.(10)

Sioux Indians told a tale similar to that of the Lamia.  A beautiful seductive woman accepted the love of a young warrior and united with him inside a cloud.  When the cloud lifted, the woman stood alone.  The man was a heap of bones being gnawed by snakes at her feet.(11)

Mouth and vulva were equated in many Egyptian myths.  Ma-Nu, the western gate whereby the sun god daily re-entered his Mother, was sometimes a "cleft" (yoni), and sometimes a "mouth."(12)  Priestesses of Bast, representing the Goddess, drew up their skirts to display their genitals during religious processions.(13)  To the Greeks, such a display was frightening.  Bellerophon fled in terror from Lycian women advancing on him with genitals exposed, and even the sea god Poseidon retreated, for fear they might swallow him.(14)

According to Philostratus, magical women "by arousing sexual desire seek to devour whom they wish."(15)  To the patriarchal Persians and Moslems this seemed a distinct possibility. Viewing women's mouths as either obscene, dangerous, or overly seductive, they insisted on veiling them.  Yet men's mouths, which look no different, were not viewed as threatening.

"Mouth" comes from the same root as "mother" - Anglo-Saxon muth, also related to the Egyptian Goddess Mut.  Vulvas have labiae, "lips," and many men have believed that behind the lips lie teeth.  Christian authorities of the Middle Ages taught that certain witches, with the help of the moon and magic spells, could grow fangs in their vaginas.  They likened women's genitals to the "yawning" mouth of hell, though this was hardly original; the underworld gate had always been the yoni of Mother Hel.  It has always "yawned" - from Middle English, yonen, another derivative of "yoni."  A German vulgarity meaning "cunt," Fotze, in parts of Bavaria meant simply "mouth."(16)

To Christian ascetics, Hell-mouth and the vagina drew upon the same ancient symbolism.  Both were equated with the womb-symbol of the whale that swallowed Jonah; according to this "prophesy" the Hell-mouth swallowed Christ (as Hina swallowed her son Maui) and kept him for three days.  Visionary trips to hell often read like "a description of the experience of being born, but in reverse, as if the child was being drawn into the womb and destroyed there, instead of being formed and given life."  St. Teresa of Avila said her vision of a visit to hell was "an oppression, a suffocation, and an affliction so agonizing, and accompanied by such a hopeless and distressing misery that no words I could find would adequately describe it.  To say that it was as if my soul were being continuously torn from my body is as nothing."(17)

The archetypal image of "devouring" female genitals seems undeniably alive even in the modern world.  "Males in our culture are so afraid of direct contact with female genitalia, and are even afraid of referring to these genitalia themselves; they largely displace their feelings to the accessory sex organs - the hips, legs, breasts, buttocks, et cetera - and they give these accessory organs an exaggerated interest and desirability."(18)  Even here, the male scholar inexplicably "displaces" the words sex organ onto structures that have nothing to do with sexual functioning.

Lookng into, touching, entering the female orifice seems fraught with hidden fears, signified by the confusion of sex with death in overwhelming numbers of male minds and myths.  Psychiatrists say sex is perceived by the male unconscious as dying: "Every orgasm is a little death: the death of 'the little man,' the penis."(19)  Here indeed is the root of ascetic religions that equated the denial of death with denial of sex.

Moslems attributed all kinds of dread powers to a vulva.   It could "bite off" a man's eye-beam, resulting in blindness for any man who looked into its cavity.  A sultan of Damascus was said to have lost his sight in this manner. Christian legend claimed he went to Sardina to be cured of his blindness by a miraculous idol of the Virgin Mary - who, beng eternally virgin, had her door-mouth permanently closed by a veil-hymen.(20)

Apparently Freud was wrong in assuming that men's fear of emale genitals was based on the idea that the female had been castrated.  The fear was much less empathetic, and more personal: a fear of being devoured, of experiencing the birth trauma in reverse.  A Catholic scholar's curious description of the Hell-mouth as a womb inadvertently reveals this idea: "When we think of man entering hell we think of him as establishing contact with the most intrinsic, unified, ultimate and deepest level of the reality of the world."(21)

Notes:

(1)  Becker, D.D., 223.
(2)  Farb, W.P., 93.
(3)  Neumann, G.M., 174.
(4)  Rawson, E.A., 260.
(5)  Edwardes, 45.
(6)  Briffault 2, 657-58.
(7)  Assyr. & Bab. Lit., 338-39.
(8)  Chagnon, 47.
(9)  Graves, G.M. 1, 206.
(10)  Briffault 2, 667.
(11)  Campbell, F.W.G., 78.
(12)  Mapern, 1x.
(13)  Budge, G.E. 1, 448.
(14)  Bachofen, 123.
(15)  Wedeck, 153.
(16)  Young, 47.
(17)  Cavendish, P.E., 157-58.
(18)  Ellis, 239-40.
(19)  Lederer, 126.
(20)  Giffird, 143.
(21)  Cavendish, P.E., 160.
  **********************************************
I didn't realize how right-on I was about that Star Wars symbolism until I read this.  Here's a photo shot of the "mouth of the beast" from that Star Wars movie I mentioned in Post 1:


And I know it's really bad manners to put up such a image after typing up Walker's encyclopedia entry on the Vagina Dentata.  The Devil made me do it.  I feely admit it - I'm a demon woman.  Particularly after realizing that the sheer ignorance and stupidity of the fears represented by thousands of years of customs designed to "ward off" being castratred by some woman's vagina are much alive and well today, and responsible for all sorts of evil in the world: continual suppression and repression of women in the Moslem world and elsewhere, veiling in the name of "modesty," the perversion of child prostitution and pornography, the perversion of Moslem "dancing boys," female "circumcision" (an attempt to remove the vagina's alleged "teeth?"), "honor" killings of females, acid attacks, gang rapes administered as "justice" by sharia courts, and on and on and on.

We're still living in the Dark Ages, people.  The Dark Ages.

What is a "Lamiak?" - Part 2

Prior post.

Here is a lush and beautiful interpretation of a "modern" (19th century CE) Lilith by Rosetti, oil on canvas, done about 1868.  Notice the comb in the right hand and the mirror in the left - the same as the "lamiak" depicted in the crest in the photograph of a Basque homestead in the prior post.

I especially like the "magic mirror" in the background, that is reflecting a woodland scene inside the lady's boudouir! 

I dug out an archived website with research by Amy Scerba -- I assume it was done years ago since the website no longer is hosted anywhere but was preserved on the internet archives and I found it using the "wayback" machine.  The Rosetti painting is featured in her research and it makes fascinating reading: Changing Literary Representations of Lilith and the Evolution of a Mythical Heroine.

Saturday, May 14, 2011

What Is a "Lamiak?"

In the previous post about the prehistoric cave art discovered in Basque territory, Spain, the term "lamiak" was used to describe a "half woman-half duck" mythic creature who lived in Askondo cave. 

The term rang a bell, but I don't remember exactly where or why I find it so familiar.  My mind seems to be associating it with Siberian shamanism and ancient Kalmyk (Kalmak) tales that were carried over to the New World as those ancient peoples moved east across land and sea to the New World.  I've got some research buried away - on the computer upstairs!  But I'm downstairs now and I'm not going to go digging for it.

I did, however, find some interesting information about lamia or lamiak (plural?).

The first place I ran to was my library to pull out Barbara Walker's indispensible The Woman's Encyclopedia of Myths and Secrets.  Sure enough, I found an entry for Lamia:

Lamia
Greek name for the Libyan serpent-goddess -- Medusa, Neith, Athene, Anatha, or Buto.(1)  Lamia was probably a variant of Babylonian Lamashtu, "Mother of Gods" worshipped at Der as a serpent with a woman's head.  Though Lamashtu was feared as a Kali-like Destroyer, yet she was also revered as a supreme Goddess, called Daughter of Heaven and Great Lady.(2)  Greek myth made her another rival of Hera.

The Latin Vulgate Bible gave "Lamia" as a translation of Hebrew Lilith, Adam's recalcitrant first wife.  The Authorized Version rendered lamia as a screech owl.  The Revised Version translated the same word as "night monster."  During the Middle Ages, lamia became a general term for a witch.  A 15th-century German professor of theology stated authoritatively that lamiae were "demons in the shape of old women.(3)  See Vagina Dentata

Notes:

(1)  Graves, G.M., 1, 205.
(2)  Budge, A.T., 117.
(3)  Robbins, 295-96.

Whoa - vagina dentata??? Literally - a vagina with teeth?  A devouring vagina?  Oh my!  No wonder men fear us so. 

Geez Louise!  Talk about a Night Monster...  That ties in to all kinds of legends and myths including the Devouring Mother, Jonah and the Whale (Big Fish), the womb as cave where one gets lost and dies from starvation, not to mention the Incubus (or is it Succubus?).  Perhaps one of the most famous renditions of this myth was the action in one of the Star Wars movies where the Millennium Falcon flew into a cave on a planetoid to escape hunting Imperial Fighters.  The Falcon lands deep inside the cave and Chewy, Han Solo, Princess Leia and Luke Skywalker get out of the ship and walk around a bit, but after some time there the "cave" they thought they landed in wakes up and it turns out to be a giant serpent-like creature with huge teeth!  YES!  They had flown right through the mouth into the stomach of the Beast!  Tense drama ensues as the Falcon fires up and races toward the entrance - the creature's mouth - that is fast closing with the teeth acting as gigantic bars to escape!  Gulp!

You will also notice the mention of the screech owl, a totem animal that is anciently connected to shamanism and later became a symbol for "wisdom," and its connection to Athena, the new and improved (tamer) version of the archaic Greek goddess Athene; however, early renditions of Athena retained her serpent character in the form of her "shield" with serpents' heads or in some versions, made out of serpent skin, and other depictions showed her wearing a cloak with magical protective powers that had serpents' heads as a fringe

But I don't want to go on about Athena/Athene and her counterparts in other countries -- I want to focus on the word "lamia."  So, I did a quick google search and found the following:

This article (blog post?), Mermaids with Dangerous Combs! Lamiak con Peines Peligrosos, posted on 27 January 2011 by Georgina Howard, about lamia/lamiak is very interesting - and it contains a photograph of a shield depicting a lamia:

The lamia on a coat of arms on a house in Oriegi  - in her right hand is the comb, in her
left hand, the "mirror."  Or maybe it's a book - the Book of Knowledge of Good and Evil???

According to legend, the Lamia is a mermaid-like creature with either bird-like feet or a fish’s tail who dwells in mountain springs and streams. Here, in the notoriously misty forest glens of the Basque Country, she can be found combing her long blond hair with a golden comb. Whether it is the golden comb or her golden tresses, I am not sure, but she is often attributed with the disappearance of some lonely shepherd of unmeasured ambition who wanders off into the forest in her pursuit and is consequently never seen again.

So you see, the lamiak that is "half duck-half woman" living in a cave from the original article in the prior post is also something of a nymph, although how a mermaid with a fishtail could frollick about in the woods is beyond my ability to visualize...  On the other hand, a half woman-half bird creature - and we know many of them from ancient depictions (the original Lilith comes to mind, for instance) - could easily hop through woods and lead an unwary shepherd astray...  The lamia in the image, above, would have to stay in water. And yes, this also ties into my ongoing fascination about "visions" of the "Virgin Mary" seen in areas close to or associated with caves and/or rock formations or rocky areas and escarpments and streams or rivers.  I've posted about that at least a couple of times.  Sacred spaces/sacred places -- often associated with the Goddess -- high places, mountains, rock outcroppings, trees, water. 

For further research: 
 
Wikipedia offers a lot of information about the mythological Lamia.  This connection is particularly intriguing:  Antoninus Liberalis uses Lamia as an alternate name for the serpentine drakaina Sybaris. 
 
A "drakaina" is a female dragon, sometimes with human features (female), according to Wikipedia. Okay, does anyone remember the movie "Big Trouble in Little China?"  Wasn't there a "dragon lady" in that movie?  Or am I confusing my movies and it's actually in "The Golden Child" that the "dragon lady" appeared" - discreetely, behind a veiling curtain so all one could see was the teasing outline of a beautiful woman elaborately coiffed and crowned - and with a dragon's tail - moving about and sometimes making hissing noises, smoking a cigarette in a 1930's style holder?
 
Drakaina (mythology)From Wikipedia:


In Greek mythology, a drakaina (Greek: δράκαινα) is a female dragon, sometimes with human-like features. Examples included Campe, Ceto, Delphyne, Echidna, Scylla, Lamia (or Sybaris), Poine, and Python (when represented as female).

Python, slain by Apollo, and the earliest representations of Delphyne are shown as simply gigantic serpents, similar to other Greek dragons. However, although the word "drakaina" is literally the feminine form of drakon (Ancient Greek for dragon or serpent), most drakainas had some features of a human woman. Lamia, Campe, Echidna, and many representations of Ceto, Scylla and Delphyne had the head and torso of a woman.

The drakaina was a monster generally slain only by gods or demigods. Zeus slew Delphyne and Campe, Apollo slew Python, and Argus Panoptes slew Echidna.

Ceto and Echidna were both the mothers of a huge brood of monsters, including other dragon-like creatures. Ceto, according to Hesiod, gave birth to Echidna, as well as Scylla and Ladon, the dragon of the Hesperides. Also according to Hesiod, Echidna gave birth to the Chimera, Cerberus, Orthrus, Nemean lion, Sphinx and the Hydra. (Other ancient authors, such as Hyginus, attribute even more monsters as children of Echidna, such as the Caucasian eagle, Crommyonian sow, Colchian dragon and Scylla and Charybdis.)

Wikipedia "Lamia"
And this from Wikipedia - a drawing of a "lamia" with webbed feet.

From the Online Encyclopedia, an abbreviated description that includes a reference to singing, thus perhaps linking to legends about mermaids who lured unwary sailors to their deaths on the rocks by their beautiful singing, with a link-back to Wikipedia:

1. Lamiak
`Lamiak` (sing.: `lamia`), also called `laminak` (sing. `lamin`). In Basque mythology are creatures with bird-like feet that dwell in rivers and springs. They are comparable with Greco-Roman nymphs. Normally female, they are usually portrayed with a golden comb, that often attracts the unmeasured am...
Found on http://en.wikipedia.org/wiki/Lamiak

Not to be excluded, Keats' poem, Lamia.

And from lamia.net:

The Mythological Origins Of Lamia

In Greek mythology, Lamia was the daughter of Poseidon and Lybie, a deity personification of the country of Libya. Lamia is always depicted as being very beautiful, and so she was according to Greek mythology. Zeus fell in love with Lamia, and carried on an affair with her, until his wife, Hera, found out. When Hera discovered the affair, in a jealous rage she stole all of Lamia’s children, except for Scylla, and killed them. Lamia was overcome with horrible grief, and eventually it drove her insane, transforming her into a half snake, half serpent creature that stole and ate children. Zeus, seeking to appease her in some way, granted Lamia the ability to prophecise, as well as remove her own eyes. The gift of being able to remove her eyes was because Lamia could not stop seeing the faces of her dead children.

The story was popular in its sadness and theme, and made its way throughout the world; Lamia went on to have other children, the lowercase lamia, or instead she became lamia, which were a large species of half snake, half feminine monsters. In other parts of the world, mothers used the story of Lamia to frighten their children into obedience. Later on, authors began to attribute other, more lurid details to Lamia, such as a hermaphroditic penis, which came from the sadly perverse mind of Aristophanes. Whores throughout early folklore and fictional literature were sometimes given the name Lamia. In modern Greek folklore or culture, there is still the Lamia, although now she is Lamiae; a slovenly woman, unclean, and lazy, or exceptionally sdtupid, as well as promiscuous. In other modern Greek fairy tales, Lamia is somewhat similar to the Slavic Baba Yaga. She lives in a tower, eats children or the flesh of would-be heroes, and has magical powers. The hero should either kill her, avoid her, or gain her favor so that she can guide him on whatever quest he’s on.

The tower, of course, is today's rook in western-style chess ("castle" in English, "tower" in various languages). In India, the rook created in chess sets for export to the West was an elephant , often with a howdah on its back, perhaps a call-back to the time in India when the rook and bishop traded places on the chessboard. Check out Jean-Louis Cazaux's site for numerous examples of Indian chess sets featuring elephants for the Kings, Ministers (Queen) and rooks. 

I am wondering about this image from lamia.net - which did not have a caption or attribution.  It looks Persian or maybe Indian to me.  Can anyone provide further information on it?  I find it very interesting because of the tree image - the Tree of Life? - dead center in the image and the large black serpent underneath the earth nearly centered underneath it.  Now if that doesn't evoke the image of the Nordic World Tree I don't know what does!  The figures under the earth all have serpent tails - that could easily be described as "fish tails", couldn't they.  Interesting, heh?  And I think they're all females, although it's a little hard to tell because I can't enlarnge the image, but they all have long hair flowing down their backs.  And what is that the serpent is doing?  Is it pushing the blue infant through the earth to the surface?  Or is it preparing to suck the blue infant down to the underworld?  There's obviously some kind of ritual going on above-ground - note the drummer and musicians on the left-hand side of the image.  And on the right, the above-ground male figure drawn larger than anything else (other than the serpent), is he a king?  I would like to know what actually is going on in this picture!

Note added on Monday, May 16, 2011:  The half-human female serpents in the image are NOT lamiak; they are, perhaps, nagini.  I found a larger image which makes clear that what I thought was a blue infant is actually Krishna, who dances over the subdued Kaliya Naag in river Yamuna, while his wives are praying to Krishna for his mercy. Also seen on the banks are people of Gokula, Krishna's father Nanda Baba and his brother Balarama. From a Bhagavata Purana manuscript, c. 1640.

Prehistoric "Red Horses" Cave Art Found in Basque Country

Unfortunately, this National Geogrpahic article also gives way too much detail, including a photograph of the entrance to the cave - to alert looters to its exact location. Way to go NG - let the looting begin.

Prehistoric Cave Art Discovered in Basque Country
Posted by Andrew Howley
May 13, 2011 

You can just make out the faint red outline of the horse head to the left of
 the "3M7" marker. Photo courtesy of Diego Garate and Joseba Rios-Garaizar.
In a locally well known cave near an industrial town in Spain, researchers have unexpectedly discovered faint images of horses and hand prints dating back some 25,000 years.

Concerned that activity at a nearby stone quarry had destroyed much of the cave of Askondo, Diego Garate of the Archaeological Museum of Biscay in Bilbao, and Joseba Rios-Garaizar of the Max Planck Institute set out to determine if any archaeological material was still intact. They entered the cave outside the town of Mañaria and searched for bones, stones, and other artifacts. Only on their way out of the cave did they noticed the paintings that they and many others had missed before. “Without a doubt,” says Garate, “[it was] a gift of destiny.”

A tracing helps to reveal a horse on the cave wall with a profile something
like a "duck bill,"  a common feature in European cave art.  Photo courtesy
Diego Garate and  Joseba Rios-Garaizar.
Speleologists had worked in Askondo in the 1970s, and left their mark in the form of a bright red “3M7″ used to catalogue the cave, but they too missed the art just inches away. “They didn’t see the red horse!” says Garate. “Better for us. We will restore the figure.”

I spoke with Diego Garate over email to get more of the story.

How often do people find new paintings in this part of Spain?

The north of Spain is the first European region where caves with paleolithic art were located [in 1879 at Altamira], and for more than a century the findings have followed one another, every time with less frequency. In fact, in the province of Biscay, only four other decorated cavities have been found since 1904, so every new finding is very important.

Do you have any theories about why horses are shown so often in European cave art?

One thing we know is that the Palaeolithic artists did not strictly paint the same animals that they hunted and ate but, for some reason that we can’t understand, they chose other ones. In the north of Spain at the time the horses of Askondo were painted, hind [red deer] was the most represented animal. There are some caves that escape this tendency, perhaps due to regional artistic differences.

How do these compare to the paintings at Altamira or other caves in the area?

The paintings located in the cave of Askondo could be contemporary to the first stage of decoration of Altamira. In Altamira’s “ceiling of the polychromes,” below the famous bison, [older] red figures of horses are detected, very similar to the ones found in [Askondo]. There are other caves in the north of Spain–La Pasiega, La Haza, El Salitre, etc.–with red painted animals near the entrance of the cave, in zones of semi-darkness where still the sunlight arrives. [This contrasts with many of the more famous images from Europe, which are found in the darkest regions of caves. --A.H.]

Are there any ways in which the cave art of Spain as a whole is different from the cave art of France?

For the first periods of artistic activity, [yes]. The advantage of the cave of Askondo is that it is halfway between both territories. This geo-strategic position is reflected in the iconography, with some rather Pyrenean (French) elements like bones fitted into the walls, and some Cantabrian (Spanish) elements like twin outlines, and with others more general elements that appear on a large scale throughout Western Europe like the horses with “duck bills” or the hand stamps.

Do people living in the area now have any special beliefs about the caves?

There is a very ancient mythology in Basque culture related to caves. In fact, there is an old legend for Askondo cave which says that a young boy from the farmhouse near the cave passed close to the cave every day to go to spin wool in another farmhouse. One day the “lamiak” (half women-half duck mythological figure) who lived in the cave told him not to come back near the cave. He didn’t take care and one day he was [attacked] and disappeared in the cave. It is also said that Askondo cave was a witches’ meeting place.

The Basque language is the oldest spoken language in Europe… This ancient heritage makes us proud and aware of the necessity to preserve it in this globalized world.

What will happen next with your work in the cave?

At the moment, we have only done a preliminary study of the paintings. It is necessary to perform a detailed inspection of all the walls in the 300 meters of cave and also to perform some digging tests to know if there is an occupation site contemporary to the paintings. Also a restoration program is planned for the worst-conserved paintings. All these studies will be the object of a monographic publication where all the results of the project will be detailed.

Philippines Chess: Davao Region Female Chess Player Scores Gold!

From sunstar.com.ph

Davao places 7th in Palarong Pambansa
By Marianne L. Saberon-Abalayan
Saturday, May 14, 2011

[Part of the 2011 Palarong Pambansa annual sports competition]
Davao [region] climbed one notch higher this year since it occupied the eighth spot last year.

Long distance running triple gold medalist Mae Barit from Kapatagan, Digos sparked the gold medal haul for the Davao Region that also won golds courtesy of Davao City's Rowelyn Joy Acedo in secondary girls chess individual event and arnisadors Bill Amper and Rofel Angelo Pendon.

"I'm thankful to the Lord for letting me win the gold," Acedo said. Ella Grace Moulic and Zsuzsa Grace Tabudlong clinched the silver in elementary girls chess team event. Moulic also got an individual bronze.

Acedo and Dhona Yngayo's tandem placed fourth in the team event while the secondary boys team of Austin Jacob Literatus and Kenneth Tabada came fifth.

Published in the Sun.Star Davao newspaper on May 15, 2011.

2011 European Individual Women's Chess Championship

Press once again catching up with the news:

From panarmenian.net

Danielyan climbs to 6th position at European Individual Women Chess Championships
May 14, 2011 - 15:13 AMTPanARMENIAN.Net - Armenian grandmaster Elina Danielyan tied her game with Anna Muzychuk (Slovenia) in the 7th round of the European Individual Women Chess Championships to climb to the 6th position with 5 points. Danielyan is one point behind the leaders.

Armenia’s Lilit Galoyan, Anna Hayrapetyan, Lia Martirosyan and Siranush Ghukasyan defeated Eva Moser (Austria), Maia Mumladze, Lizi Trapaidze and Patman Rizhamadze (all from Georgia) respectively.

Meanwhile, Lilit Mkrtchyan and Nelly Aghinyan tied their games with Narmin Kazimova (Azerbaijan) and Katarina Skrabakova (Slovakia) respectively.

Maria Gevorgyan was defeated by Andjelija Stojanovic (Serbia).
********************************
Danielian needs to lose some weight.  She is a beautiful woman, but she is way too much overweight.  It's not healthy.

Actor Jack Black Helps Raise Money for Founder of Chess Academy

Jack Black as "Hamlet" - love the teeshirt!
Good for Jack Black!  I fell madly in love with him when he did "School of Rock."  And he is just so damn cute in "The Holiday."  Cute and sexy and just a little bit chubby, lots to hug and hug. 

From the altadena.patch.com
Jack Black Headlining Altadena Fundraiser Today
The well-known comedy actor is helping raise money for a cancer patient who founded a chess non-profit.
May 14, 2011
By Dan Abendschein | Email the author | 5:59am

Comedian and actor Jack Black will be in Altadena today for a day-long fundraiser for a cancer patient who founded a chess non-profit that has served several local school districts.

The fundraiser is for Dave Melrose, a one time barista at a Old Pasadena coffee house, who moved to Carlsbad to found the San Diego Chess Academy non-profit, according to a website designed to raise money to treat Melrose's cancer.

The chess academy has served several local school districts, including Pasadena Unified School District, according to the site.

Tickets start at $30, and the event information can be found on the site, as well as a list of all the musicians, comedians, and spoken word artists who will be performing.

Melrose is well-known to the arts scene in Altadena, according to a Pasadena Weekly write-up of the event, and the fundraiser has also attracted attention from the Los Angeles Times. The Altadenablog has some more info about Melrose's life in an article here.

By Dan Abendschein | Email the author | 5:59am

Friday, May 13, 2011

Moon and Venus Carving Found in Sudan

It's a little vague, but from what I could gather, it's another "pre-writing" "Moon and Venus" rock carving - this one found in Sudan that dates to "more than" 5000 years ago.  I added the map of the Egypt/Sudan region to provide a general idea of the geography.  The Nile River is, of course, the life-line through arid Egypt (the climate turned from savannah to desert about 7,000 years ago, or about 5,000 BCE, or even earlier).

From Live Science
Article: Mysterious Ancient Rock Carvings Found Near Nile
Owen Jarus,
LiveScience Contributor
Date: 13 May 2011 Time: 11:29 AM ET

Map of Egypt, Sudan, and surrounding areas, showing Nile River and tributaries
An archaeological team in the Bayuda Desert in northern Sudan has discovered dozens of new rock art drawings, some of which were etched more than 5,000 years ago and reveal scenes that scientists can't explain.

Image from article.
The team discovered 15 new rock art sites in an arid valley known as Wadi Abu Dom, some 18 miles (29 kilometers) from the Nile River. It’s an arid valley that flows with water only during rainy periods. Many of the drawings were carved into the rock faces — no paint was used — of small stream beds known as "khors" that flow into the valley.

Some of the sites revealed just a single drawing while others have up to 30, said lead researcher Tim Karberg, of the Westfälische Wilhelms-Universität Münster in Germany.
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