I'm trying to remember where this photograph was taken - somewhere on the enormous grounds of Caesar's Palace, I believe, and it had to have been taken on Christmas Eve day, because we spent all Christmas Day at Isis' and Michelle's place and didn't get back to the hotel until after dark. This was taken near a shrine - I think dondelion got a picture of that, I'll look for it. The garden in this area is parterred and lovely, even in winter. There are three fountains, this is a shot of one. Our hotel, the Imperial Palace, can be seen in the distance, next to Harrah's.
Monday, January 5, 2009
Las Vegas Pictures, December 25-26, 2008
dondelion wanted to get a photograph of one of the slots at the Casino in the Wynn and it didn't occur to me until he was literally in the middle of his shot that - I think the casinos don't like this! I'm sure I heard this somewhere or other. Of course, that hasn't stopped me from taking pictures in many of the LV casinos. Realistically, if a competitor wants to find out what is going on in another casino, it only has to send in some people with a notepad and paper, or good memories, and report on what they see. So maybe there is no longer a big taboo about taking photos inside a casino!
This is a rather shakey shot of the theater at the Venetian where we saw "The Phantom of the Opera." It was stressed several times that photographs were strictly prohibited, but as it was after the show we figured what the heck - dondelion wanted a photo so I handed him my camera and said go for it, Mr. Don. As he was getting ready to snap a very large female attendant looked up at us from about 10 rows and one section over and started making tracks as she yelled "NO PHOTOGRAPHS ALLOWED." I hinted that Mr. Don might want to HURRY IT UP and even as the flash was dying I grabbed the camera from him, shut it down and shoved it into my purse as we beat a hasty retreat. It brought back to mind memories of running out of the vault at the Prado in Madrid in October, 2002, after I took an illicit photo of a crystal barque on golden wheels that, unfortunately, was done in pre-digital days and came out mostly blurred. I've never published that particular photograph. The guards ran after Mr. Don and I, we just were closer to the vault door and the narrow hallway was crowded, so I was able to worm my way away... I've no doubt they would have confiscated my camera if I'd been caught. It is an absolutely spectacular space and you can see - lit in all its glory, the chandelier that plays such an important role in the play.
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