| Rk. | Name | Rtg | FED | 1.Rd | 2.Rd | 3.Rd | 4.Rd | 5.Rd | 6.Rd | 7.Rd | 8.Rd | 9.Rd | Pts. | TB1 | TB2 | TB3 | ||
| 1 | WGM | Sukandar Irine Kharisma | 2288 | INA | 32w1 | 5w1 | 3b1 | 20b1 | 6w½ | 15b1 | 4w½ | 2b0 | 8w1 | 7 | 0 | 2413 | 48 | |
| 2 | WGM | Gomes Mary Ann | 2378 | IND | 33b½ | 26w1 | 11b0 | 24w1 | 7b1 | 18b1 | 6w1 | 1w1 | 3b0 | 6.5 | 0 | 2358 | 43 | |
| 3 | WGM | Tan Zhongyi | 2430 | CHN | 27w1 | 7b1 | 1w0 | 25w½ | 8b½ | 22b1 | 11w1 | 4b½ | 2w1 | 6.5 | 0 | 2342 | 45 | |
| 4 | WGM | Ding Yixin | 2353 | CHN | 26b½ | 35w1 | 24b1 | 6w½ | 5b1 | 11w½ | 1b½ | 3w½ | 7b1 | 6.5 | 0 | 2339 | 45 | |
| 5 | Wang Jue | 2364 | CHN | 34w1 | 1b0 | 27w1 | 16b1 | 4w0 | 23b1 | 13b1 | 8w½ | 9b1 | 6.5 | 0 | 2313 | 43 | ||
| 6 | GM | Zhao Xue | 2549 | CHN | 16w1 | 13b½ | 22w1 | 4b½ | 1b½ | 25w1 | 2b0 | 12b1 | 15w½ | 6 | 0 | 2358 | 45 | |
| 7 | WGM | Le Thanh Tu | 2313 | VIE | 38b1 | 3w0 | 31b1 | 17w½ | 2w0 | 30b1 | 18w1 | 23b1 | 4w0 | 5.5 | 0 | 2356 | 41 | |
| 8 | IM | Karavade Eesha | 2353 | IND | 28w1 | 21b1 | 20w0 | 29b½ | 3w½ | 16b1 | 15w1 | 5b½ | 1b0 | 5.5 | 0 | 2340 | 44 | |
| 9 | WGM | Padmini Rout | 2345 | IND | 24w½ | 22b0 | 19w1 | 23b0 | 14w1 | 34b1 | 26w1 | 11b1 | 5w0 | 5.5 | 0 | 2263 | 39 | |
| 10 | WGM | Guo Qi | 2360 | CHN | 21w0 | 28b1 | 14w0 | 41b½ | 37w1 | 27b1 | 12w0 | 30b1 | 23w1 | 5.5 | 0 | 2221 | 34 | |
| 11 | WGM | Nguyen Thi Thanh An | 2301 | VIE | 39b1 | 17w½ | 2w1 | 15b½ | 20w1 | 4b½ | 3b0 | 9w0 | 14b½ | 5 | 0 | 2387 | 45 | |
| 12 | WIM | Nakhbayeva Guliskhan | 2309 | KAZ | 37w1 | 15b0 | 34w1 | 18b0 | 29w1 | 17b½ | 10b1 | 6w0 | 16b½ | 5 | 0 | 2379 | 39 | |
| 13 | IM | Mohota Nisha | 2321 | IND | 36w1 | 6w½ | 17b½ | 14b1 | 15w0 | 20b1 | 5w0 | 16w½ | 19b½ | 5 | 0 | 2368 | 43 | |
| 14 | WIM | Yanjindulam Dulamsuren | 2214 | MGL | 17b0 | 39w1 | 10b1 | 13w0 | 9b0 | 40w1 | 20w1 | 15b½ | 11w½ | 5 | 0 | 2362 | 39 | |
| 15 | IM | Munguntuul Batkhuyag | 2451 | MGL | 29b1 | 12w1 | 25b½ | 11w½ | 13b1 | 1w0 | 8b0 | 14w½ | 6b½ | 5 | 0 | 2354 | 43 | |
| 16 | WFM | Zhai Mo | 2248 | CHN | 6b0 | 36w1 | 40b1 | 5w0 | 33b1 | 8w0 | 29w1 | 13b½ | 12w½ | 5 | 0 | 2335 | 39 | |
| 17 | WGM | Pham Le Thao Nguyen | 2390 | VIE | 14w1 | 11b½ | 13w½ | 7b½ | 23w0 | 12w½ | 22b½ | 27b1 | 18w½ | 5 | 0 | 2326 | 40 | |
| 18 | IM | Tania Sachdev | 2417 | IND | 31b0 | 30w1 | 32b1 | 12w1 | 25b½ | 2w0 | 7b0 | 28w1 | 17b½ | 5 | 0 | 2308 | 37 | |
| 19 | Ni Shiqun | 2157 | CHN | 25w0 | 23b½ | 9b0 | 36w½ | 38b1 | 31w½ | 33b1 | 22w1 | 13w½ | 5 | 0 | 2299 | 34 | ||
| 20 | WGM | Batchimeg Tuvshintugs | 2363 | MGL | 30b1 | 31w1 | 8b1 | 1w0 | 11b0 | 13w0 | 14b0 | 32w1 | 26b1 | 5 | 0 | 2270 | 39 | |
| 21 | WFM | Medina Warda Aulia | 2172 | INA | 10b1 | 8w0 | 29b0 | 31w0 | 40b½ | 32w½ | 38b1 | 33w1 | 25b1 | 5 | 0 | 2260 | 31 | |
| 22 | WIM | Muminova Nafisa | 2338 | UZB | 35b½ | 9w1 | 6b0 | 33w½ | 31b1 | 3w0 | 17w½ | 19b0 | 30w1 | 4.5 | 0 | 2334 | 38 | |
| 23 | WGM | Swathi Ghate | 2286 | IND | 40b0 | 19w½ | 26b1 | 9w1 | 17b1 | 5w0 | 25b1 | 7w0 | 10b0 | 4.5 | 0 | 2326 | 41 | |
| 24 | Pratyusha Bodda | 2123 | IND | 9b½ | 33w1 | 4w0 | 2b0 | 34w0 | 37b1 | 27w0 | -1 | 31b1 | 4.5 | 0 | 2277 | 37 | ||
| 25 | WGM | Hoang Thi Bao Tram | 2356 | VIE | 19b1 | 40w1 | 15w½ | 3b½ | 18w½ | 6b0 | 23w0 | 26b½ | 21w0 | 4 | 0 | 2352 | 41 | |
| 26 | WIM | Nguyen Quynh Anh | 2129 | VIE | 4w½ | 2b0 | 23w0 | 35b1 | 41w1 | 29b1 | 9b0 | 25w½ | 20w0 | 4 | 0 | 2331 | 39 | |
| 27 | WIM | Hoang Thi Nhu Y | 2238 | VIE | 3b0 | 38w1 | 5b0 | 32w1 | 30b½ | 10w0 | 24b1 | 17w0 | 28b½ | 4 | 0 | 2285 | 38 | |
| 28 | WIM | Vo Thi Kim Phung | 2155 | VIE | 8b0 | 10w0 | 39b1 | 30w0 | 36b1 | 33w½ | 34w1 | 18b0 | 27w½ | 4 | 0 | 2276 | 34 | |
| 29 | WIM | Le Kieu Thien Kim | 2239 | VIE | 15w0 | 37b1 | 21w1 | 8w½ | 12b0 | 26w0 | 16b0 | 36b½ | 38w1 | 4 | 0 | 2253 | 36 | |
| 30 | WIM | Pham Bich Ngoc | 2176 | VIE | 20w0 | 18b0 | 38w1 | 28b1 | 27w½ | 7w0 | 31b1 | 10w0 | 22b0 | 3.5 | 0 | 2324 | 37 | |
| 31 | WIM | Nguyen Thi Mai Hung | 2237 | VIE | 18w1 | 20b0 | 7w0 | 21b1 | 22w0 | 19b½ | 30w0 | 40b1 | 24w0 | 3.5 | 0 | 2277 | 38 | |
| 32 | Pham Thi Thu Hoai | 1956 | VIE | 1b0 | -1 | 18w0 | 27b0 | 35w½ | 21b½ | 41w1 | 20b0 | 34w½ | 3.5 | 0 | 2253 | 36 | ||
| 33 | WGM | Kiran Manisha Mohanty | 2208 | IND | 2w½ | 24b0 | 35w1 | 22b½ | 16w0 | 28b½ | 19w0 | 21b0 | -1 | 3.5 | 0 | 2224 | 37 | |
| 34 | WIM | Sihite Chelsie Monica | 2181 | INA | 5b0 | 41w1 | 12b0 | 40w½ | 24b1 | 9w0 | 28b0 | 35w½ | 32b½ | 3.5 | 0 | 2195 | 34 | |
| 35 | WFM | Dewi Aa Citra | 2112 | INA | 22w½ | 4b0 | 33b0 | 26w0 | 32b½ | -1 | 40w½ | 34b½ | 36w½ | 3.5 | 0 | 2182 | 31 | |
| 36 | WFM | Enkhtuul Altanulzii | 2108 | MGL | 13b0 | 16b0 | 37w½ | 19b½ | 28w0 | 41b½ | 39w1 | 29w½ | 35b½ | 3.5 | 0 | 2177 | 32 | |
| 37 | Jelsen Yemi | 2007 | INA | 12b0 | 29w0 | 36b½ | 39w1 | 10b0 | 24w0 | -1 | 38b0 | 41w1 | 3.5 | 0 | 2172 | 30 | ||
| 38 | Ngo Thi Kim Tuyen | 2070 | VIE | 7w0 | 27b0 | 30b0 | -1 | 19w0 | 39b1 | 21w0 | 37w1 | 29b0 | 3 | 1 | 2186 | 33 | ||
| 39 | WFM | Ton Nu Hong An | 1997 | VIE | 11w0 | 14b0 | 28w0 | 37b0 | -1 | 38w0 | 36b0 | 41b1 | 40w1 | 3 | 0 | 2089 | 28 | |
| 40 | Virda Rizka Aulia | 1769 | INA | 23w1 | 25b0 | 16w0 | 34b½ | 21w½ | 14b0 | 35b½ | 31w0 | 39b0 | 2.5 | 0 | 2242 | 34 | ||
| 41 | Otorbaeva Nuriza | 1740 | KGZ | 0 | 34b0 | -1 | 10w½ | 26b0 | 36w½ | 32b0 | 39w0 | 37b0 | 2 | 0 | 2130 | 27 | ||
| You find all details to this tournament under http://chess-results.com/tnr70398.aspx?lan=1 | ||||||||||||||||||
| Chess-Tournament-Results-Server: Chess-Results | ||||||||||||||||||
Wednesday, May 16, 2012
My apologies for not getting these final standings to you sooner in the Women's "standard chess" division. It was a Battle Royale between Mary Ann Gomez of India and Irine Kharisma Sukandar of Indonesia right down to the end:
2012 U.S. Women's Chess Championship
Results R7:
Ouch! Abrahamyan had a chance to get within 1/2 point of the leaders, who drew their game today (anti-climax!) Instead, she's stuck with 3.5, Goletiani takes over 3rd place and Foisor springs into 4th place with her win against Melekhina.
Standings after R7:
R8 pairings:
Well, ujnless Alena Kats has the game of her life, put 1.0 up in Krush's column of Ws! Zatonskih, on the other hand, is going to have her hands full with a fired up Goletiani who will also have the white pieces. Goletiani has 4 wins already, Zatonskih (and Krush), 3. Uh uh. Could my prediction of a Zatonskih repeat be ill-fated? Could I be - gulp - wrong? We'll see.
| Table | White | Score | Rating | Black | Score | Rating | Result |
|---|---|---|---|---|---|---|---|
| 1 | IM Goletiani, Rusudan | 3.5 | 2333 | WGM Abrahamyan, Tatev | 3.5 | 2329 | 1-0 |
| 2 | IM Zatonskih, Anna | 4.5 | 2510 | IM Krush, Irina | 4.5 | 2457 | ½-½ |
| 3 | WFM Kats, Alena | 1.0 | 2137 | WIM Zenyuk, Iryna | 3.0 | 2224 | ½-½ |
| 4 | WGM Baginskaite, Camilla | 0.5 | 2358 | WIM Ni, Viktorija | 3.0 | 2228 | ½-½ |
| 5 | WGM Foisor, Sabina-Francesca | 3.0 | 2364 | FM Melekhina, Alisa | 3.5 | 2242 | 1-0 |
Ouch! Abrahamyan had a chance to get within 1/2 point of the leaders, who drew their game today (anti-climax!) Instead, she's stuck with 3.5, Goletiani takes over 3rd place and Foisor springs into 4th place with her win against Melekhina.
Standings after R7:
| Rank | Name | Score | M/F | Rating | TPR | W-We | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | IM Zatonskih, Anna | 5.0 | F | 2510 | 2448 | -0.37 | 1 | 1 | ½ | ½ | ½ | 1 | ½ |
| 2 | IM Krush, Irina | 5.0 | F | 2457 | 2477 | +0.25 | 1 | ½ | 1 | ½ | 1 | ½ | ½ |
| 3 | IM Goletiani, Rusudan | 4.5 | F | 2333 | 2417 | +0.82 | 1 | 0 | 1 | 0 | 1 | ½ | 1 |
| 4 | WGM Foisor, Sabina-Francesca | 4.0 | F | 2364 | 2388 | +0.27 | 0 | 1 | ½ | 1 | ½ | 0 | 1 |
| 5 | WGM Abrahamyan, Tatev | 3.5 | F | 2329 | 2300 | -0.26 | ½ | 1 | 0 | 1 | 0 | 1 | 0 |
| 6 | FM Melekhina, Alisa | 3.5 | F | 2242 | 2340 | +0.88 | ½ | ½ | 0 | ½ | 1 | 1 | 0 |
| 7 | WIM Ni, Viktorija | 3.5 | F | 2228 | 2335 | +0.96 | ½ | 0 | 0 | 1 | ½ | 1 | ½ |
| 8 | WIM Zenyuk, Iryna | 3.5 | F | 2224 | 2319 | +0.84 | ½ | 1 | 1 | ½ | 0 | 0 | ½ |
| 9 | WFM Kats, Alena | 1.5 | F | 2137 | 2089 | -0.41 | 0 | 0 | 1 | 0 | 0 | 0 | ½ |
| 10 | WGM Baginskaite, Camilla | 1.0 | F | 2358 | 1997 | -2.98 | 0 | 0 | 0 | 0 | ½ | 0 | ½ |
R8 pairings:
| Table | White | Score | Rating | Black | Score | Rating | Result |
|---|---|---|---|---|---|---|---|
| 1 | WGM Abrahamyan, Tatev | 3.5 | 2329 | FM Melekhina, Alisa | 3.5 | 2242 | |
| 2 | WIM Ni, Viktorija | 3.5 | 2228 | WGM Foisor, Sabina-Francesca | 4.0 | 2364 | |
| 3 | WIM Zenyuk, Iryna | 3.5 | 2224 | WGM Baginskaite, Camilla | 1.0 | 2358 | |
| 4 | IM Krush, Irina | 5.0 | 2457 | WFM Kats, Alena | 1.5 | 2137 | |
| 5 | IM Goletiani, Rusudan | 4.5 | 2333 | IM Zatonskih, Anna | 5.0 | 2510 |
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| R6 Zatonskih in Angst. Zenyuk had white. Photo from U.S. Chesschamps.com. |
Tuesday, May 15, 2012
Dark Age Glass Manufactory (?) at Glastonbury
The science and art of glassmaking is ancient. I'm sure no expert! As I know of it, there were two main types of glassmaking. The oldest was the coiled form of glass that was developed in the Middle East about 3500 BCE - maybe in Mesopotamia(?). There was a major breakthrough in the entire type of glass that glass-blowing allowed to be created when the technique was invented, around 50 BCE.
I am not certain of this, but perhaps the art of glass-making was transmitted, or discovered, and lost, in various places over various times, only to be discovered over and over again.
In any event, I think these production artifacts that have been redated using current techniques (originally excavated in the 1950's at Glastonbury) are fascinating! And this article perfectly ties into my comments in the previous post -- about how with the current changes in tecnology (that, for instance, allow us to date certain types of objects much more accurately than even 5 years ago, let alone 50 years ago!) allow us to put together a more accurate and ever-changing picture of our development, both as "humans" and as cultures. More changes are on the horizon!!!
From BBC News
8 May 2012 Last updated at 05:41 ET
Researchers from the University of Reading carried out radiocarbon dating on
finds from the digs.
The research team believes specialist glass workers came from France to work
at Glastonbury. Analysis of the glass is now being carried out to find out where the source
materials came from. Extensive remains of five glass furnaces have also been identified.
Prof Roberta Gilchrist from the Department of Archaeology said: "The research
project reveals new evidence for the early date of the monastery at Glastonbury
and charts its development over one thousand years, from the 6th century to its
dissolution in the 16th century."
Glass-making at York and Wearmouth is recorded in historical documents in the
670s but Glastonbury provides the earliest and most substantial archaeological
evidence for glass-making in Saxon Britain.
The story of the Abbey's pioneering role in medieval crafts and technology is
outlined in an exhibition at Glastonbury Abbey Museum which runs until 16
September.
I am not certain of this, but perhaps the art of glass-making was transmitted, or discovered, and lost, in various places over various times, only to be discovered over and over again.
In any event, I think these production artifacts that have been redated using current techniques (originally excavated in the 1950's at Glastonbury) are fascinating! And this article perfectly ties into my comments in the previous post -- about how with the current changes in tecnology (that, for instance, allow us to date certain types of objects much more accurately than even 5 years ago, let alone 50 years ago!) allow us to put together a more accurate and ever-changing picture of our development, both as "humans" and as cultures. More changes are on the horizon!!!
From BBC News
8 May 2012 Last updated at 05:41 ET
Glastonbury Abbey excavations find Saxon glass industry
New research on glass fragments found
at Glastonbury Abbey in the 1950s reveals the earliest archaeological evidence
of glass-making in Britain.
Clay crucibles and pieces of vivid blue-green window glass were tested. The results show the pieces date from the 680s and are likely to be
associated with a major rebuilding of the abbey by King Ine of Wessex.
Anthropologists Discover Oldest Form of Wall Art
Well - we'll see. At the rate things are changing these days, this "oldest" may not survive a year. About time things speeded up! Technology is changing rapidly and with it, so are the intepretations of what we're discovering (and what has already been discovered) by the experts.
Let's play a little game, darlings: What is this?
Basically, I want to know why they say this is Aurignacian? Not "Neanderthal?" (Maybe the two were already blended by then, LOL! Well, I shouldn't laugh. Most of us with European ancestors have between 2 and 4% of so-called "Neanderthal" DNA, so who got the last laugh, heh heh heh?)
By the way, after the oh-so-staid press release, check out some of the "vulgar vagina" (har!) headlines from around the world that this - press release? - generated? Well, darlings, something generated these headlines! Check them out...
Press Release:
Public release date: 14-May-2012Contact: James Devitt
james.devitt@nyu.edu
212-998-6808
New York University
The research team, comprised of more than a dozen scientists from American and European universities and research institutions, has been excavating at the site of the discovery—Abri Castanet—for the past 15 years. Abri Castanet and its sister site Abri Blanchard have long been recognized as being among the oldest sites in Eurasia bearing artifacts of human symbolism. Hundreds of personal ornaments have been discovered, including pierced animal teeth, pierced shells, ivory and soapstone beads, engravings, and paintings on limestone slabs.
"Early Aurignacian humans functioned, more or less, like humans today," explained New York University anthropology professor Randall White, one of the study's co-authors. "They had relatively complex social identities communicated through personal ornamentation, and they practiced sculpture and graphic arts."
Aurignacian culture existed until approximately 28,000 years ago.
In 2007, the team discovered an engraved block of limestone in what had been a rock shelter occupied by a group of Aurignacian reindeer hunters. Subsequent geological analysis revealed the ceiling had been about two meters above the floor on which the Aurignacians lived—within arms' reach.
Using carbon dating, the researchers determined that both the engraved ceiling, which includes depictions of animals and geometric forms, and the other artifacts found on the living surface below were approximately 37,000 years old.
"This art appears to be slightly older than the famous paintings from the Grotte Chauvet in southeastern France," explained White, referring to the cave paintings discovered in 1994.
"But unlike the Chauvet paintings and engravings, which are deep underground and away from living areas, the engravings and paintings at Castanet are directly associated with everyday life, given their proximity to tools, fireplaces, bone and antler tool production, and ornament workshops."
He added that this discovery, combined with others of approximately the same time period in southern Germany, northern Italy, and southeastern France, raises new questions about the evolutionary and adaptive significance of art and other forms of graphic representation in the lives of modern human populations.
Female genitalia features in world's oldest cave art, found at Abri Castanet
by Jean-Louis Santini (love that name!)
May 15, 2012
Is this world's earliest pornography?
Daily Mail, May 16, 2012
Okay - enough! I'm tired, I'm hungry, I've got 3 pounds of ground beef I bought on sale I've got to divide up and get a casserole going and wrap the other 2 pounds for the freezer. Holy Mother! A woman's work is never ever done.
Let's play a little game, darlings: What is this?
Basically, I want to know why they say this is Aurignacian? Not "Neanderthal?" (Maybe the two were already blended by then, LOL! Well, I shouldn't laugh. Most of us with European ancestors have between 2 and 4% of so-called "Neanderthal" DNA, so who got the last laugh, heh heh heh?)
By the way, after the oh-so-staid press release, check out some of the "vulgar vagina" (har!) headlines from around the world that this - press release? - generated? Well, darlings, something generated these headlines! Check them out...
Press Release:
Public release date: 14-May-2012Contact: James Devitt
james.devitt@nyu.edu
212-998-6808
New York University
Anthropologists discover earliest form of wall art
Anthropologists working in southern France have determined that a 1.5 metric ton block of engraved limestone constitutes the earliest evidence of wall art. Their research, reported in the most recent edition of the Proceedings of the National Academy of Sciences, shows the piece to be approximately 37,000 years old and offers rich evidence of the role art played in the daily lives of Early Aurignacian humans.The research team, comprised of more than a dozen scientists from American and European universities and research institutions, has been excavating at the site of the discovery—Abri Castanet—for the past 15 years. Abri Castanet and its sister site Abri Blanchard have long been recognized as being among the oldest sites in Eurasia bearing artifacts of human symbolism. Hundreds of personal ornaments have been discovered, including pierced animal teeth, pierced shells, ivory and soapstone beads, engravings, and paintings on limestone slabs.
"Early Aurignacian humans functioned, more or less, like humans today," explained New York University anthropology professor Randall White, one of the study's co-authors. "They had relatively complex social identities communicated through personal ornamentation, and they practiced sculpture and graphic arts."
Aurignacian culture existed until approximately 28,000 years ago.
In 2007, the team discovered an engraved block of limestone in what had been a rock shelter occupied by a group of Aurignacian reindeer hunters. Subsequent geological analysis revealed the ceiling had been about two meters above the floor on which the Aurignacians lived—within arms' reach.
Using carbon dating, the researchers determined that both the engraved ceiling, which includes depictions of animals and geometric forms, and the other artifacts found on the living surface below were approximately 37,000 years old.
"This art appears to be slightly older than the famous paintings from the Grotte Chauvet in southeastern France," explained White, referring to the cave paintings discovered in 1994.
"But unlike the Chauvet paintings and engravings, which are deep underground and away from living areas, the engravings and paintings at Castanet are directly associated with everyday life, given their proximity to tools, fireplaces, bone and antler tool production, and ornament workshops."
He added that this discovery, combined with others of approximately the same time period in southern Germany, northern Italy, and southeastern France, raises new questions about the evolutionary and adaptive significance of art and other forms of graphic representation in the lives of modern human populations.
###
Woooo woooo!
Female genitalia features in world's oldest cave art, found at Abri Castanet
by Jean-Louis Santini (love that name!)
May 15, 2012
Is this world's earliest pornography?
Daily Mail, May 16, 2012
Okay - enough! I'm tired, I'm hungry, I've got 3 pounds of ground beef I bought on sale I've got to divide up and get a casserole going and wrap the other 2 pounds for the freezer. Holy Mother! A woman's work is never ever done.
2012 U.S. Women's Chess Championship
Results R6:
Standings after R6 (cross-table):
Pairings for R7:
Tomorrow a much-anticipated game between Zatonskih with white against Krush with black at Table 2. I also expect the Table 1 match-up to be intense. Abrahamyan wants to move into the first or second position after being a bridesmaid for several years running. I don't know if she's strong enough to do it, but she sure as hell is STUBBORN, a trait I admire (gee, I wonder why) :)
Abrahamyan won't give up.
Really, except for Baginskaite's performance, I am pleasantly surprised by how tight the scores actually are after 6 games, with only 3 more to go, with Alena Kats being somewhat of an outlyer.
Zatonskih scored a "must win" game today against the "other" Iryna, Iryna Zenyk, in order to stay in first place after Krush's draw. Iryna is a good friend of the Irina with whom Zatonskih keeps trading the U.S. Women's title back and forth. I don't know if Krush took it "easy" today in agreeing to a draw, I haven't looked at the games and, frankly, I probably wouldn't be able to tell anything from it anyway without hearing live commentary from the pros!
In any event, we all know she'll have her hands full tomorrow with black against Zatonskih, who will be looking to make another definitive move by taking the full point. The final 3 games should be where the leaders pull away from the pretenders -- and that doesn't mean someone pretending to play chess, that means someone who hasn't been there before trying to move as high up the ranks as possible and possible take over one of the top spot -- as in "pretender to the throne." That sort of pretender.
| Table | White | Score | Rating | Black | Score | Rating | Result |
|---|---|---|---|---|---|---|---|
| 1 | WGM Abrahamyan, Tatev | 2.5 | 2329 | WGM Foisor, Sabina-Francesca | 3.0 | 2364 | 1-0 |
| 2 | FM Melekhina, Alisa | 2.5 | 2242 | WGM Baginskaite, Camilla | 0.5 | 2358 | 1-0 |
| 3 | WIM Ni, Viktorija | 2.0 | 2228 | WFM Kats, Alena | 1.0 | 2137 | 1-0 |
| 4 | WIM Zenyuk, Iryna | 3.0 | 2224 | IM Zatonskih, Anna | 3.5 | 2510 | 0-1 |
| 5 | IM Krush, Irina | 4.0 | 2457 | IM Goletiani, Rusudan | 3.0 | 2333 | ½-½ |
Standings after R6 (cross-table):
| Rank | Name | Score | M/F | Rating | TPR | W-We | 1 | 2 | 3 | 4 | 5 | 6 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | IM Zatonskih, Anna | 4.5 | F | 2510 | 2456 | -0.30 | 1 | 1 | ½ | ½ | ½ | 1 |
| 2 | IM Krush, Irina | 4.5 | F | 2457 | 2480 | +0.18 | 1 | ½ | 1 | ½ | 1 | ½ |
| 3 | IM Goletiani, Rusudan | 3.5 | F | 2333 | 2369 | +0.33 | 1 | 0 | 1 | 0 | 1 | ½ |
| 4 | WGM Abrahamyan, Tatev | 3.5 | F | 2329 | 2352 | +0.23 | ½ | 1 | 0 | 1 | 0 | 1 |
| 5 | FM Melekhina, Alisa | 3.5 | F | 2242 | 2394 | +1.21 | ½ | ½ | 0 | ½ | 1 | 1 |
| 6 | WGM Foisor, Sabina-Francesca | 3.0 | F | 2364 | 2354 | -0.06 | 0 | 1 | ½ | 1 | ½ | 0 |
| 7 | WIM Ni, Viktorija | 3.0 | F | 2228 | 2332 | +0.78 | ½ | 0 | 0 | 1 | ½ | 1 |
| 8 | WIM Zenyuk, Iryna | 3.0 | F | 2224 | 2350 | +0.96 | ½ | 1 | 1 | ½ | 0 | 0 |
| 9 | WFM Kats, Alena | 1.0 | F | 2137 | 2062 | -0.53 | 0 | 0 | 1 | 0 | 0 | 0 |
| 10 | WGM Baginskaite, Camilla | 0.5 | F | 2358 | 1918 | -2.80 | 0 | 0 | 0 | 0 | ½ | 0 |
Pairings for R7:
| Table | White | Score | Rating | Black | Score | Rating | Result |
|---|---|---|---|---|---|---|---|
| 1 | IM Goletiani, Rusudan | 3.5 | 2333 | WGM Abrahamyan, Tatev | 3.5 | 2329 | |
| 2 | IM Zatonskih, Anna | 4.5 | 2510 | IM Krush, Irina | 4.5 | 2457 | |
| 3 | WFM Kats, Alena | 1.0 | 2137 | WIM Zenyuk, Iryna | 3.0 | 2224 | |
| 4 | WGM Baginskaite, Camilla | 0.5 | 2358 | WIM Ni, Viktorija | 3.0 | 2228 | |
| 5 | WGM Foisor, Sabina-Francesca | 3.0 | 2364 | FM Melekhina, Alisa | 3.5 | 2242 |
Tomorrow a much-anticipated game between Zatonskih with white against Krush with black at Table 2. I also expect the Table 1 match-up to be intense. Abrahamyan wants to move into the first or second position after being a bridesmaid for several years running. I don't know if she's strong enough to do it, but she sure as hell is STUBBORN, a trait I admire (gee, I wonder why) :)
Abrahamyan won't give up.
Really, except for Baginskaite's performance, I am pleasantly surprised by how tight the scores actually are after 6 games, with only 3 more to go, with Alena Kats being somewhat of an outlyer.
![]() |
| Jen Shahade commenting during R4 of the U.S. Chess Championship. Leopard Print? Soooo Judit Polgar! |
In any event, we all know she'll have her hands full tomorrow with black against Zatonskih, who will be looking to make another definitive move by taking the full point. The final 3 games should be where the leaders pull away from the pretenders -- and that doesn't mean someone pretending to play chess, that means someone who hasn't been there before trying to move as high up the ranks as possible and possible take over one of the top spot -- as in "pretender to the throne." That sort of pretender.
How To Teach Chess to Anyone!
Parents and their kids can learn together - easy peasy!
I will never forget the kindness Laura and Dan Sherman showed to me when I was needing some coaching in preparation for my charitable chess match with Shira Evans a few years ago. Shira still won all of our games, but I was able to put up a fight thanks to Dan's coaching (he spent over an hour with me on the telephone and also reviewed some of my games and gave me practical, helpful pointers a/k/a tactics). In my book, they are good people.
Laura Sherman and her co-writer, Bill Kirkpatrick, have a new book out:
Chess is Child's Play: Teaching Techniques That Work
ISBN: 978-1936277315
Publisher: Mongoose Press
Date of publish: April 16, 2012
Pages: 304
S.R.P.: $19.95
You can read more about it at Amazon. There is also a very short animated video:
I will never forget the kindness Laura and Dan Sherman showed to me when I was needing some coaching in preparation for my charitable chess match with Shira Evans a few years ago. Shira still won all of our games, but I was able to put up a fight thanks to Dan's coaching (he spent over an hour with me on the telephone and also reviewed some of my games and gave me practical, helpful pointers a/k/a tactics). In my book, they are good people.
Laura Sherman and her co-writer, Bill Kirkpatrick, have a new book out:
ISBN: 978-1936277315
Publisher: Mongoose Press
Date of publish: April 16, 2012
Pages: 304
S.R.P.: $19.95
You can read more about it at Amazon. There is also a very short animated video:
Monday, May 14, 2012
Thracian Horseman Statute Donated by ...
...a local "businessman" who just happened to discover it in "pieces" in a "house he inherited." Hmmmm, what is that scent I smell? Could that possibily be bullshit?
Article is at Novinite - don't try to copy it! I took a "snip" of the main body of the text but there are a few more paragraphs that are not included in the snip since I cannot scroll down when doing a "snip" to capture material.
Here is an image of the "Heros" -- is it just me -- or does this look like a really poorly faked antiquity??? See, for comparison, this specimen at Wikipedia. More information on the Thracian "heros."
Bulgarian Archaeology Museum Gets Unique Thracian Statue
May 7, 2012
Article is at Novinite - don't try to copy it! I took a "snip" of the main body of the text but there are a few more paragraphs that are not included in the snip since I cannot scroll down when doing a "snip" to capture material.
Here is an image of the "Heros" -- is it just me -- or does this look like a really poorly faked antiquity??? See, for comparison, this specimen at Wikipedia. More information on the Thracian "heros."
Bulgarian Archaeology Museum Gets Unique Thracian Statue
May 7, 2012
New Update on Theft of Chinese Artifacts from The Fitzwilliam
All from BBC News. Very smart - news, even insignificant seeming, was being released nearly daily and reported by BBC to keep the theft present in the minds of the public.
April 28, 2012
Fitzwilliam Museum £18m theft: Appeal posters and hotline set up
April 30, 2012
Fitzwilliam theft: Museum appeals for return of art
May 1, 2012
Fitzwilliam Museum theft: New CCTV images released
May 2, 2012
Fitzwilliam Museum Chinese art theft: Two held in London
A 28-year-old man and 15-year-old boy were arrested earlier at addresses in east London by officers from Cambridgeshire and the Metropolitan Police.
A number of other addresses in London are being searched.
May 4, 2012
Fitzwilliam Museum steps up security for Chinese art show
(I thought this was rather funny!)
May 8, 2012
Fitzwilliam Museum Chinese art theft: Third arrest
Police investigating the raid at the museum said the man had been arrested on suspicion of money laundering.
May 9, 2012
Fitzwilliam Museum Chinese art theft: Third man bailed
Of note was the increase of the estimated value of the stolen objects: now from between 18-40 million pounds.
May 11, 2012
Fitzwilliam Museum theft: New CCTV images of white van
That is up to the most recent. Not much. The reports are brief, certainly not like U.S. press reports would be on such a sensational crime! We only know the ages of the arrested suspects, not their names. Since I did not see an article reporting that the two people (one a minor) arrested on May 2, 2012 have not "been bailed," I assume they are still in custody. The third person arrested was "bailed" - and what, exactly, does money laundering have to do with these thefts?
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| Some of the beautiful jade objects stolen from the Fitzwilliam, used several times to illustrate headlines in the BBC News reports/udates. |
![]() |
| The white Cadillac van that, despite intensive searches, has not been found since the date of the Fitzwilliam theft. |
April 28, 2012
Fitzwilliam Museum £18m theft: Appeal posters and hotline set up
April 30, 2012
Fitzwilliam theft: Museum appeals for return of art
May 1, 2012
Fitzwilliam Museum theft: New CCTV images released
May 2, 2012
Fitzwilliam Museum Chinese art theft: Two held in London
Detectives investigating the theft of
Chinese art from the Fitzwilliam Museum in Cambridge have arrested two
people.
A 28-year-old man and 15-year-old boy were arrested earlier at addresses in east London by officers from Cambridgeshire and the Metropolitan Police.
A number of other addresses in London are being searched.
May 4, 2012
Fitzwilliam Museum steps up security for Chinese art show
(I thought this was rather funny!)
May 8, 2012
Fitzwilliam Museum Chinese art theft: Third arrest
A 31-year-old man from London is the third person to be
arrested in connection with a burglary at the Fitzwilliam Museum in
Cambridge.
Police investigating the raid at the museum said the man had been arrested on suspicion of money laundering.
May 9, 2012
Fitzwilliam Museum Chinese art theft: Third man bailed
Of note was the increase of the estimated value of the stolen objects: now from between 18-40 million pounds.
May 11, 2012
Fitzwilliam Museum theft: New CCTV images of white van
That is up to the most recent. Not much. The reports are brief, certainly not like U.S. press reports would be on such a sensational crime! We only know the ages of the arrested suspects, not their names. Since I did not see an article reporting that the two people (one a minor) arrested on May 2, 2012 have not "been bailed," I assume they are still in custody. The third person arrested was "bailed" - and what, exactly, does money laundering have to do with these thefts?
Sunday, May 13, 2012
2012 U.S. Women's Chess Championship
Results from R5:
Standings after R5 (cross-table):
Pairings for R6 - getting up their now, ladies, now's the time to make your mooooovvvveeessss....
| Table | White | Score | Rating | Black | Score | Rating | Result |
|---|---|---|---|---|---|---|---|
| 1 | IM Krush, Irina | 3.0 | 2457 | WGM Abrahamyan, Tatev | 2.5 | 2329 | 1-0 |
| 2 | IM Goletiani, Rusudan | 2.0 | 2333 | WIM Zenyuk, Iryna | 3.0 | 2224 | 1-0 |
| 3 | IM Zatonskih, Anna | 3.0 | 2510 | WIM Ni, Viktorija | 1.5 | 2228 | ½-½ |
| 4 | WFM Kats, Alena | 1.0 | 2137 | FM Melekhina, Alisa | 1.5 | 2242 | 0-1 |
| 5 | WGM Baginskaite, Camilla | 0.0 | 2358 | WGM Foisor, Sabina-Francesca | 2.5 | 2364 | ½-½ |
Standings after R5 (cross-table):
| Rank | Name | Score | M/F | Rating | TPR | W-We | 1 | 2 | 3 | 4 | 5 |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | IM Krush, Irina | 4.0 | F | 2457 | 2517 | +0.35 | 1 | ½ | 1 | ½ | 1 |
| 2 | IM Zatonskih, Anna | 3.5 | F | 2510 | 2419 | -0.46 | 1 | 1 | ½ | ½ | ½ |
| 3 | WGM Foisor, Sabina-Francesca | 3.0 | F | 2364 | 2431 | +0.49 | 0 | 1 | ½ | 1 | ½ |
| 4 | IM Goletiani, Rusudan | 3.0 | F | 2333 | 2355 | +0.16 | 1 | 0 | 1 | 0 | 1 |
| 5 | WIM Zenyuk, Iryna | 3.0 | F | 2224 | 2390 | +1.12 | ½ | 1 | 1 | ½ | 0 |
| 6 | WGM Abrahamyan, Tatev | 2.5 | F | 2329 | 2281 | -0.32 | ½ | 1 | 0 | 1 | 0 |
| 7 | FM Melekhina, Alisa | 2.5 | F | 2242 | 2332 | +0.55 | ½ | ½ | 0 | ½ | 1 |
| 8 | WIM Ni, Viktorija | 2.0 | F | 2228 | 2299 | +0.40 | ½ | 0 | 0 | 1 | ½ |
| 9 | WFM Kats, Alena | 1.0 | F | 2137 | 2116 | -0.15 | 0 | 0 | 1 | 0 | 0 |
| 10 | WGM Baginskaite, Camilla | 0.5 | F | 2358 | 1969 | -2.14 | 0 | 0 | 0 | 0 | ½ |
Pairings for R6 - getting up their now, ladies, now's the time to make your mooooovvvveeessss....
| Table | White | Score | Rating | Black | Score | Rating | Result |
|---|---|---|---|---|---|---|---|
| 1 | WGM Abrahamyan, Tatev | 2.5 | 2329 | WGM Foisor, Sabina-Francesca | 3.0 | 2364 | |
| 2 | FM Melekhina, Alisa | 2.5 | 2242 | WGM Baginskaite, Camilla | 0.5 | 2358 | |
| 3 | WIM Ni, Viktorija | 2.0 | 2228 | WFM Kats, Alena | 1.0 | 2137 | |
| 4 | WIM Zenyuk, Iryna | 3.0 | 2224 | IM Zatonskih, Anna | 3.5 | 2510 | |
| 5 | IM Krush, Irina | 4.0 | 2457 | IM Goletiani, Rusudan | 3.0 | 2333 |
Happy Mother's Day!
Mr. Don sent this to me some days ago -- don't know where he got it from. It is called "Decorama" but I think it is just sooooo appropriate of the kind of chess that moms play everyday while taking care of the kids, hubby and running the household! So, I'm calling it Housewife Chess. Or, if you prefer the politically correct term, "Stay-at-Home-Mom" Chess :)
To all the Moms everywhere in the world, HAPPY MOTHER'S DAY! You have the toughest job in the universe.
To all the Moms everywhere in the world, HAPPY MOTHER'S DAY! You have the toughest job in the universe.
Dido, Queen of Carthage
Oh, those male patriarchs. Always messing with herstory to try and make women into beings who do their bidding. Tsk tsk.
From tunisia-live.net
Read more bout Dido/Elissa at Wikipedia.
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| Dido, founder of Carthage. Coin of unknown origin/date. |
From tunisia-live.net
Dido of Carthage – Tunisia’s Warrior Queen
Megan Radford | 09 May 2012
Her story ends in suicide, caught up in the flames of a funeral pyre. Scholars of ancient literature know it well, Virgil’s tragic tale of a lustful Queen of Tyre, in the epic poem the Aeneid. But less well-known is the legend, passed down in oral form, of a heroine who through courage and determination founded a city to rival Rome, and who refused to let herself be subject to men, even at the cost of her life.
Dido, or Elissa, as she is known in the legend, was said to be a Phoenician princess who fled Tyre when her brother, the king, murdered her husband. Rather than bemoaning her lot, she took her companions and set sail for North Africa. When she reached Tunisia, she used her wit to gain control of the area of Carthage by getting locals to promise her whatever she could fit within the hide of an ox. She cut the ox’s throat and had her traveling companions cut the hide into thin strips, placing them around the perimeter of the city.
Dido founded Carthage, populating it by organizing the marriage of her male companions and a group of virgins from Cyprus. But when a Berber ruler demanded that she marry him or he would wage war on her city, she killed herself in the heat of battle rather than be subjected to his authority.
In contrast, the Roman tale promoted the image of imperial Rome and cast Dido as a slighted woman who couldn’t live without her man. Aeneas, after escaping Troy, falls in love with Dido. But the god Jupiter tells him he must leave to fulfill his destiny. Dido, crazed with love, curses the Trojans just before she stabs herself in the heart. According to the Aeneid, Aeneas would go on to found Rome. [What! No Romulus and Remus?]
Many scholars agree that Rome used Dido and Aeneas’ ill-fated love story to justify their actions during the Punic Wars between Carthage and Rome. Some have even suggested that Dido’s desire for Aeneas symbolized a twisted view that the colony desired the colonizer, desired domination.
In modern-day Carthage, Tunisia, Dido’s name is attached to everything from restaurants to beauty parlors to wine. A search for “Didon Tunisie” (French for Dido Tunisia) reveals a dental surgery company and a hotel as the first hits. Dido has become a cultural icon in Tunisia, comparable to Joan of Arc in France.
But there is a difference. Dido, also known as Elissa, is part of the heritage of a country where patriarchy is the cultural norm. The fact that as a woman, she founded one of Tunisia’s most important cities, is significant.
Nejet M’Chala, a Tunisian professor of literature says that today Elissa represents “feminine wisdom and inventiveness, care for the other…a creative empowered woman.” Children read her story at school, she says, and learn what it means to be “a courageous, smart woman.”
“Today women identify with Dido as an icon of self-determination and freedom…She is the icon of basic human rights.”
In his 1980’s novel “Elissa La Reine Vagabonde” (Elissa the Vagabond Queen), Franco-Tunisian writer Fawzi Mellah gives the tale of Dido a breath of new life by using the story to comment on modern Tunisia. On page 71, he speaks of Dido’s desire for the new city she would build, “A fragile, maternal land. Not a fatherland (who was it who invented that absurd term?). It was a motherland that I desired; If need be, I would invent it.” Some have interpreted Mellah’s words as his way of voicing his own disapproval at the patrimony and marginalization of women in the public sphere in his home country.
In 2010, Jeune Afrique wrote an article about women in Tunisia. It compared Dido to all the women in Tunisia that have come after her, “who have shone in the sky of this country,” to make Tunisian women “the freest, the most educated and most active of the Maghreb region – of the Middle East.”
But after the Revolution, women’s rights groups have kept a close watch on how the female population is treated in the new Tunisia. Activists and politicians like Ahlem Belhadj, the President of the Tunisian Association for Democratic Women, say that Tunisia’s struggle for equality is not over.
In this confusing modern era, Dido, and her story of bravery and creativity, becomes even more relevant. As M’Chala explained, Elissa represents equality in both society and politics. It’s this story, and its message, that has lasted through the ages, inspiring generations in the country she chose to call home.
With contributions from Ahmed Jaouadi.
Dido founded Carthage, populating it by organizing the marriage of her male companions and a group of virgins from Cyprus. But when a Berber ruler demanded that she marry him or he would wage war on her city, she killed herself in the heat of battle rather than be subjected to his authority.
In contrast, the Roman tale promoted the image of imperial Rome and cast Dido as a slighted woman who couldn’t live without her man. Aeneas, after escaping Troy, falls in love with Dido. But the god Jupiter tells him he must leave to fulfill his destiny. Dido, crazed with love, curses the Trojans just before she stabs herself in the heart. According to the Aeneid, Aeneas would go on to found Rome. [What! No Romulus and Remus?]
Many scholars agree that Rome used Dido and Aeneas’ ill-fated love story to justify their actions during the Punic Wars between Carthage and Rome. Some have even suggested that Dido’s desire for Aeneas symbolized a twisted view that the colony desired the colonizer, desired domination.
In modern-day Carthage, Tunisia, Dido’s name is attached to everything from restaurants to beauty parlors to wine. A search for “Didon Tunisie” (French for Dido Tunisia) reveals a dental surgery company and a hotel as the first hits. Dido has become a cultural icon in Tunisia, comparable to Joan of Arc in France.
But there is a difference. Dido, also known as Elissa, is part of the heritage of a country where patriarchy is the cultural norm. The fact that as a woman, she founded one of Tunisia’s most important cities, is significant.
Nejet M’Chala, a Tunisian professor of literature says that today Elissa represents “feminine wisdom and inventiveness, care for the other…a creative empowered woman.” Children read her story at school, she says, and learn what it means to be “a courageous, smart woman.”
“Today women identify with Dido as an icon of self-determination and freedom…She is the icon of basic human rights.”
In his 1980’s novel “Elissa La Reine Vagabonde” (Elissa the Vagabond Queen), Franco-Tunisian writer Fawzi Mellah gives the tale of Dido a breath of new life by using the story to comment on modern Tunisia. On page 71, he speaks of Dido’s desire for the new city she would build, “A fragile, maternal land. Not a fatherland (who was it who invented that absurd term?). It was a motherland that I desired; If need be, I would invent it.” Some have interpreted Mellah’s words as his way of voicing his own disapproval at the patrimony and marginalization of women in the public sphere in his home country.
In 2010, Jeune Afrique wrote an article about women in Tunisia. It compared Dido to all the women in Tunisia that have come after her, “who have shone in the sky of this country,” to make Tunisian women “the freest, the most educated and most active of the Maghreb region – of the Middle East.”
But after the Revolution, women’s rights groups have kept a close watch on how the female population is treated in the new Tunisia. Activists and politicians like Ahlem Belhadj, the President of the Tunisian Association for Democratic Women, say that Tunisia’s struggle for equality is not over.
In this confusing modern era, Dido, and her story of bravery and creativity, becomes even more relevant. As M’Chala explained, Elissa represents equality in both society and politics. It’s this story, and its message, that has lasted through the ages, inspiring generations in the country she chose to call home.
With contributions from Ahmed Jaouadi.
Read more bout Dido/Elissa at Wikipedia.
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