Showing posts with label lunar symbols. Show all posts
Showing posts with label lunar symbols. Show all posts

Wednesday, September 26, 2012

4000 Year Old Lunar Calendar Uncovered in Vietnam

From Voice of Vietnam Online (vovnews.vn)

Updated : 2:31 PM, 26/09/2012
Ancient calendar unearthed in Tuyen Quang
 
Archaeologists have found a stone tool assumed to be an early calendar dating back 4,000 years in a cave in the northern province of Tuyen Quang.
 
According to Prof. Trinh Nang Chung from the Vietnam Archaeology Institute, the stone tool, with 23 parallel carved lines, seemed to be a counting instrument involving the lunar calendar.  A similar tool was found in Na Cooc Cave in the northern province of Thai Nguyen's Phu Luong District in 1985, Chung said.

Similar items have been found in various areas in the world, including China, Israel and the UK, suggesting that people 5,000 years ago knew how to calculate the lunar calendar by carving on stones.

The stone tool was discovered in a tomb marked with 14 large stones laid at a length of 1.6m. Bones were uncovered under the stones but no skull was found, with Prof. Chung guessing that the skull may have decayed due to the humidity in the cave.  A number of other stone tools were buried with the corpse, he added.

The excavation was conducted on a total area of 20 sq. m inside Nguom Hau Cave in Na Hang District, unearthing about 400 objects to a depth of 1.2m belonging to two cultural layers of the Late Neolithic period (4,000-4,200 years ago) and the Metal Age (around 3,000-3,500 years ago).

The deeper layer (of Late Neolithic), about 1m thick, consisted of well-polished axes and other stone tools, while the later cultural layer measured only 20cm contains fewer tools with axes and ceramic pieces.

There was also a large amount of animal teeth and shells found at the site, thought to be the remnants of food left by the ancient dwellers. Scientists also found traces of burned coal and fire in both layers.

The cave was discovered in May last year, while the excavation was conducted within a 20-day period earlier this month.

Earlier excavations in the same province have found traces of human populations dating back to 7,000-8,000 years ago.

"These findings prove that early people have lived continuously in local caves since 8,000 years ago, until more advanced material cultures developed," Chung said.

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What a fascinating find!  My first thought was - with the 'missing' skull, that it may have been kept as an oracle.  Why would the skull dissolve over time but not the other bones????  But I do not know anything about the cultures in the area (in the time period in question or any other time.  We just do not pay much attention to countries like Vietnam in more "popular" press coverage of archaeological discoveries unless they involve TREASURE!

Because of the richness of the burial (OTHER tools/items buried with the bones besides the marked tool/calendar), I assume this was a personage of some importance!  It took a long time to make tools and implements, not to mention artistic objects, out of stone; I cannot imagine that people would readily give these much used, and possibly much loved implements into a burial unless it was very important to do so.  Then again, maybe people then were a lot less selfish and self-centered than we are today. 

The tomb was also maked with" 14 large stones" and, well, the lunar month is roughly 28 days, and one-half of that is -- 14.  Just saying...

Friday, January 30, 2009

Canada's Stonehenge?

Story from the GlobeandMail.com BOB WEBER The Canadian Press January 29, 2009 at 3:54 PM EST EDMONTON — An academic maverick is challenging conventional wisdom on Canada's prehistory by claiming an archeological site in southern Alberta is really a vast, open-air sun temple with a precise 5,000-year-old calendar predating England's Stonehenge and Egypt's pyramids. Mainstream archeologists consider the rock-encircled cairn to be just another medicine wheel left behind by early aboriginals. But a new book by retired University of Alberta professor Gordon Freeman says it is in fact the centre of a 26-square-kilometre stone “lacework” that marks the changing seasons and the phases of the moon with greater accuracy than our current calendar. “Genius existed on the prairies 5,000 years ago,” says Mr. Freeman, the widely published former head of the university's physical and theoretical chemistry department. Mr. Freeman's fascination with prairie prehistory dates back to his Saskatchewan boyhood. He and his father would comb the short grasses of the plains in search of artifacts exposed by the scouring wind. That curiosity never left him and he returned to it as he prepared to retire from active teaching. Looking for a hobby, he asked a friend with an interest in history to suggest a few intriguing sites to visit. On a warm late-August day in 1980, that list drew him to what he has come to call Canada's Stonehenge, which is also the title of his book. A central cairn atop one of a series of low hills overlooking the Bow River, about 70 kilometres east of Calgary, had been partially excavated in 1971 and dated at about 5,000 years old. But as he approached it, Freeman strongly felt there was much more there than previously thought. “As we walked toward the hilltop, I saw all kinds of patterns in the rocks on the way up. As I walked around the hilltop, I could see patterns that I doubted very much were accidental.” Mr. Freeman photographed what he saw and showed the images to archeologists. They told him the rocks, some of which weigh up to a tonne, had been randomly distributed by melting glaciers. But those rocks and rock piles, Mr. Freeman said, had been “highly engineered,” shimmied and balanced and wedged in ways he couldn't believe were natural. And so began a magnificent obsession — 28 years of photographing the site in summer and winter, observing the alignment of rocks and how they coincided with the recurring patterns of sun, moon and stars. Mr. Freeman estimates he and his wife Phyllis have spent a total of seven months living at the site. Twelve thousand photographs with precise times and dates are neatly catalogued in his files. What he found: The central cairn is surrounded by 28 radiating stone lines, four of which align with the cardinal points of the compass. Those lines are encircled by another ring of stones. A few metres away lies a stone semicircle, with a large stone between it and the central cairn. The left edge of the semicircle lines up with both the central stone and the right edge of the cairn, and vice versa. To Mr. Freeman, those features represent the sun, the crescent moon and the morning star. As well, there are secondary cairns on nearby hills and rock assemblages that seem to correspond to constellations. And after years of rising before dawn, in all seasons and weather, to carefully photograph the positions of the sun, Mr. Freeman found the rocks once thought to be simply strewn across the prairie instead mark the progression of the year with uncanny accuracy. The rising and setting sun on both the longest and shortest days of the year lines up precisely with V-shaped sights in the temple's rocks. The spring and autumn equinoxes, when day and night are equal, are similarly marked. They are not the equinoxes of the Gregorian calendar currently used, however, but the true astronomical equinoxes. Mr. Freeman is convinced the temple contains a lunar calendar as well, because the 28 rays radiating from the central cairn correspond to the length of the lunar cycle. “I thought I would complete that study in a couple years,” says Mr. Freeman, a laughing, vigorous 78. “Twenty-eight years later we're still making discoveries.” Mainstream archeology hasn't been exactly welcoming. Despite being highly regarded in his own field, Mr. Freeman says journals have rejected his papers and conferences have denied him a platform. Professionals in any field resist interlopers from other disciplines and archeology is no exception, he says. But he suggests conventional wisdom can restrict insight. “If you have preconceptions, you're never going to discover anything.” Although he hasn't read Canada's Stonehenge, University of Alberta archeologist Jack Ives is familiar with Mr. Freeman's theories. He says recent research suggests some astronomical knowledge developed in Central and South America flowed north to the plains, where it was adapted by people for their own purposes. “There is some basis for thinking there was sophisticated astronomical knowledge,” says Mr. Ives. But what exactly is manifested in the medicine wheels? “They may certainly reflect solstices and equinoxes. How much more sophisticated beyond that has been a subject of debate.” But Mr. Ives points out the terrain in question is an ancient glacial moraine, full of naturally occurring rocks. “You have to be very careful about what you line up.” Mr. Freeman, however, is convinced. He looks forward to the academic debate to come. “I know my song well before I sing it,” he says, quoting Bob Dylan. Meanwhile, Mr. Freeman hopes to use any publicity generated by his book to push for preservation of the site. Part of it is privately owned, but most is Crown land and open to both the energy industry and casual, possibly destructive, visitors. “The place is so far away from anything that it's not adequately protected.” Mr. Freeman is a man of science, trained to trust hard data and believe evidence over sensation. But after 28 years unravelling a message in mute stones, the wind in his hair and the sun on his face, absorbed in ancient mysteries, the site has come to evoke in him something akin to reverence. “I can go down there with a headache and within a day everything is gone. It's just like a cure. There is something down there. I just don't know how to describe it. “I just feel very comfortable there. I just feel comfortable.”

Saturday, March 22, 2008

Cave sculptures go on display for first time in 15,000 years

From The Independent online - By John Lichfield in Paris Friday, 21 March 2008 Prehistoric cave sculptures never seen by the public will be revealed today thanks to the most advanced, computerised techniques of laser-copying and visual display. A museum to open near Poitiers, in western France, will span one-a-half millenniums of human image-making, from stone chisels to computers. The star of the show, at Angles-sur-L'Anglin, in the département of Vienne, will be a 60ft-long frieze of bison, horses, cats, goats and erotic female figures, carved into the limestone of western France 15,000 years ago. The caverns containing the frieze were discovered by French and British archaeologists in 1950 but have never been opened to the public. The Roc-aux-Sorciers (witches' rock) caves are the only site of their kind in Europe: a two-dimensional, carved equivalent of the celebrated cave paintings at Lascaux in Dordogne, 120 miles farther south, which were created 1,000 years earlier. From today, the public will be able to visit a €2.7m (£2.1m) visitor centre where the original sculptures, and the contours of the cavern sides, have been precisely recreated to full size by computerised, laser-copying techniques. At intervals a half-hour son-et-lumière display will be projected on to the frieze, suggesting how the carvings may have been created and how they were discovered 58 years ago. Oscar Fuentes, the director of the centre, says the intention is to go beyond the full-size replica – Lascaux II – built in 1983 to preserve the Lascaux caves from exposure to human breath and body heat. "We want to make the frieze into a place of scientific discovery in which the visitors are doing their own discovering," he said. "We want them to reach their own conclusions and understand that their interpretation is as good as that of anyone else." The Roc-aux-Sorciers caves were first explored by a French archaeologist, Suzanne de Saint-Mathurin, and her British assistant, Dorothy Garrod. They found one cave in which the roof had collapsed, dislodging the sculpted animals and human figures from the cavern sides. Fifty of these images are now on display at the national archaeology museum at Saint-Germain-en-Laye, west of Paris. In another cave, thought to have been occupied in the Magdalene period, 15,000 years ago, the archaeologists found a 20-metre frieze of beautifully finished, bas-relief, wall sculptures. They include human silhouettes, horses, bison, wild cats, goats and three explicit images of the lower part of the female anatomy. The cave was never opened to the public, to preserve the works of pre-historic art and to allow exploration to continue. The Lascaux caves, and other similar sites, are thought to have been sanctuaries, visited only for religious purposes. The Roc-aux-Sorciers cave seems to have been a dwelling place. Geneviève Pinçon, the chief archaeologist at the site, points out that the south-facing cavern was exposed to the sun for large parts of the day in pre-historic times. France had a Siberian climate 15,000 years ago. The cavern would have had a pleasant micro-climate, ideal to live in. "But what do all these carvings mean?" she asks. "What is the meaning of the human profile which seems to smile down on us? What is the symbolic significance of the three women, with realistically carved sexual parts, beside a sitting bison? Do they represent life and death?" ************************************************************************************ Why call the cave complex "The Witches' Rock?" As to what the carvings "represent," this is what I think. In other similar cave paintings and rock carvings discovered all around the world, as well as the persistence of such motifs from prehistory all the way into written history, the bison represents the male principle and the sexually explicit female figures represent - JUST THAT! The two symbols in close conjunction represent the power of creation and life. The bison also might represent a symbol of sacrifice and renewal. The bison's shed blood would be the male equivalent of the female's shed menstrual blood that flows with the waxing and waning of the Moon every month. The females bleed but they do not die - what a powerful magic that must have seemed to the first humans! The most ancient use of the symbol of crescent horns was lunar - not solar, tied to the feminine principle, not the masculine "sun god." Website (in French). Fascinating photos, but not always the clearest!
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