It's not archaeology, per se, but it is a wonderful story about what conservators can do - in this case, restoring a costume worn by famous English actress Ellen Terry over a century ago that was garnished with 1,000 irridescent wings of the aptly-named jewel beetle.
I had no idea who the lady was in this iconic painting - now I know - it's Ellen Terry herself, in her hey-day! She sure was a beautiful and striking woman. And in this portrait, she's wearing the very dress that was so painstakingly conserved.
The Archaeology of a Dress
March 29, 2011
[Excerpted] A Victorian dress decorated with 1,000 real beetle wings is set to go back on display following 1,300 hours of painstaking conservation work carried out by a team led by Zenzie Tinker.
A stage costume worn by Ellen Terry, one of the most celebrated and glamorous actresses of the Victorian age, has now returned home to Smallhythe Place in Kent – now a National Trust property.
The emerald and sea green gown, covered with the iridescent wings of the jewel beetle (which they shed naturally), was worn by Ellen when she thrilled audiences with her portrayal of Lady Macbeth at London’s Lyceum Theatre in 1888.
It was one of the most iconic and celebrated theatre costumes of the time, immortalised by the John Singer Sargent portrait now on display at the Tate Gallery.
At over 120 years old, the dress had seen many years of wear and tear and was subject to much alteration. It was structurally very weak and a shadow of its original self. Two years ago the intricate process of conserving it began.
For Zenzie and her team, the challenges of repairing and conserving the dress were considerable as it had already withstood enormous strain even within Terry’s lifetime as she even continued using it for appearances at village fetes and theatrical extravaganzas long after she retired.
The conservation team conducted a thorough scientific investigation, which included microscopic analysis of 70 tiny thread samples taken from the repaired seams. The results were then combined with evidence of deterioration and wear which were compared alongside the Sargent painting and contemporary photographs of Terry in the unaltered dress.
The conservators then went on to separate, repair and reunite pieces of the original dress from what is believed to be an amalgamation of two costumes, probably originally very similar in construction. This second costume was possibly a spare costume for the understudy or just a slightly different version for another scene in the play.
Conservation was complicated by the unusual construction of the dress which is hand crocheted and knitted from Bohemian yarn, described by the designer Alice Comyns-Carr as being, “ a twist of soft green silk and blue tinsel”. Conservators supported the now weak and stretching dress on a custom dyed nylon net after painstakingly repairing all the holes in the crochet using a re-crochet technique. They also focussed on restoring the original length and fullness to the elaborate sleeves.
Paul Meredith, House Manager, at Smallhythe Place, added: ‘We had collected the beetle wings that had fallen off over the years so that the conservator was able to re-attach many of the originals, plus others that had been donated to us – 1,000 in total. ‘The one hundred or so wings that were broken were each carefully repaired by supporting them on small pieces of Japanese tissue adhered with a mixture of wheat starch paste.’
Zenzie said: ‘We have restored the original shape of the elaborate sleeves and the long, trailing hem line that Ellen so admired. If she were alive today, I’m sure she’d be delighted. She really valued her costumes because she kept and reused them time and again. I’d like to think she’d see our contribution as part of the on-going history of the dress.’
The dress is now in a new display space which also features items from Ellen’s dressing room that have never been shown in public before.
I had no idea who the lady was in this iconic painting - now I know - it's Ellen Terry herself, in her hey-day! She sure was a beautiful and striking woman. And in this portrait, she's wearing the very dress that was so painstakingly conserved.
The Archaeology of a Dress
March 29, 2011
 |
| Ellen Terry as Lady Macbeth, by John Singer Sargent |
A stage costume worn by Ellen Terry, one of the most celebrated and glamorous actresses of the Victorian age, has now returned home to Smallhythe Place in Kent – now a National Trust property.
The emerald and sea green gown, covered with the iridescent wings of the jewel beetle (which they shed naturally), was worn by Ellen when she thrilled audiences with her portrayal of Lady Macbeth at London’s Lyceum Theatre in 1888.
It was one of the most iconic and celebrated theatre costumes of the time, immortalised by the John Singer Sargent portrait now on display at the Tate Gallery.
At over 120 years old, the dress had seen many years of wear and tear and was subject to much alteration. It was structurally very weak and a shadow of its original self. Two years ago the intricate process of conserving it began.
For Zenzie and her team, the challenges of repairing and conserving the dress were considerable as it had already withstood enormous strain even within Terry’s lifetime as she even continued using it for appearances at village fetes and theatrical extravaganzas long after she retired.
The conservation team conducted a thorough scientific investigation, which included microscopic analysis of 70 tiny thread samples taken from the repaired seams. The results were then combined with evidence of deterioration and wear which were compared alongside the Sargent painting and contemporary photographs of Terry in the unaltered dress.
The conservators then went on to separate, repair and reunite pieces of the original dress from what is believed to be an amalgamation of two costumes, probably originally very similar in construction. This second costume was possibly a spare costume for the understudy or just a slightly different version for another scene in the play.
Conservation was complicated by the unusual construction of the dress which is hand crocheted and knitted from Bohemian yarn, described by the designer Alice Comyns-Carr as being, “ a twist of soft green silk and blue tinsel”. Conservators supported the now weak and stretching dress on a custom dyed nylon net after painstakingly repairing all the holes in the crochet using a re-crochet technique. They also focussed on restoring the original length and fullness to the elaborate sleeves.
Paul Meredith, House Manager, at Smallhythe Place, added: ‘We had collected the beetle wings that had fallen off over the years so that the conservator was able to re-attach many of the originals, plus others that had been donated to us – 1,000 in total. ‘The one hundred or so wings that were broken were each carefully repaired by supporting them on small pieces of Japanese tissue adhered with a mixture of wheat starch paste.’
Zenzie said: ‘We have restored the original shape of the elaborate sleeves and the long, trailing hem line that Ellen so admired. If she were alive today, I’m sure she’d be delighted. She really valued her costumes because she kept and reused them time and again. I’d like to think she’d see our contribution as part of the on-going history of the dress.’
The dress is now in a new display space which also features items from Ellen’s dressing room that have never been shown in public before.
No comments:
Post a Comment