Showing posts with label Oriental Institute. Show all posts
Showing posts with label Oriental Institute. Show all posts

Saturday, June 4, 2011

Ancient Akkadian Language Dictionary Finally Done!

I love the University of Chicago's Oriental Studies Institute! Well done!  Check out the history of the dictionary online! 

Ancient world dictionary finished — after 90 years
AP (Associated Press) reported at Yahoo News
By SHARON COHEN, AP National Writer Sharon Cohen, Ap National Writer – Sat Jun 4, 9:56 am ET

CHICAGO – It was a monumental project with modest beginnings: a small group of scholars and some index cards. The plan was to explore a long-dead language that would reveal an ancient world of chariots and concubines, royal decrees and diaries — and omens that came from the heavens and sheep livers.

The year: 1921. The place: The University of Chicago. The project: Assembling an Assyrian dictionary based on words recorded on clay or stone tablets unearthed from ruins in Iraq, Iran, Syria and Turkey, written in a language that hadn't been uttered for more than 2,000 years. The scholars knew the project would take a long time. No one quite expected how very long.

Decades passed. The team grew. Scholars arrived from Vienna, Paris, Copenhagen, Jerusalem, Berlin, Helsinki, Baghdad and London, joining others from the U.S. and Canada. One generation gave way to the next, one century faded into the next. Some signed on early in their careers; they were still toiling away at retirement. The work was slow, sometimes frustrating and decidedly low-tech: Typewriters. Mimeograph machines. And index cards. Eventually, nearly 2 million of them.

And now, 90 years later, a finale. The Chicago Assyrian Dictionary is now officially complete — 21 volumes of Akkadian, a Semitic language (with several dialects, including Assyrian) that endured for 2,500 years. The project is more encyclopedia than glossary, offering a window into the ancient society of Mesopotamia, now modern-day Iraq, through every conceivable form of writing: love letters, recipes, tax records, medical prescriptions, astronomical observations, religious texts, contracts, epics, poems and more.

Why is there a need for a dictionary of a language last written around A.D. 100 that only a small number of scholars worldwide know of? Gil Stein, director of the university's Oriental Institute (the dictionary's home), has a ready answer:

"The Assyrian Dictionary gives us the key into the world's first urban civilization," he says. "Virtually everything that we take for granted ... has its origins in Mesopotamia, whether it's the origins of cities, of state societies, the invention of the wheel, the way we measure time, and most important the invention of writing.

"If we ever want to understand our roots," Stein adds, "we have to understand this first great civilization."

The translated cuneiform texts — originally written with wedged-shaped characters — reveal a culture where people expressed joy, anxiety and disappointment about the same events they do today: a child's birth, bad harvests, money troubles, boastful leaders.

"A lot of what you see is absolutely recognizable — people expressing fear and anger, expressing love, asking for love," says Matthew Stolper, a University of Chicago professor who worked on the project on and off over three decades. "There are inscriptions from kings that tell you how great they are, and inscriptions from others who tell you those guys weren't so great. ... There's also lot of ancient versions of `your check is in the mail.' And there's a common phrase in old Babylonian letters that literally means `don't worry about a thing.'"

There were omens, too — ways of divining the future by reading smoke patterns, the stars, the moon and sheep livers.

"Like all people at all times, they wanted to try to find some way of controlling their world," says Martha Roth, the dictionary's editor-in-charge and dean of humanities. "It's very difficult to draw the line between actually believing and being superstitious."

Robert Biggs, professor emeritus at the university, devoted nearly a half century to the dictionary, sometimes uncovering tablets on digs in the Iraq desert, sometimes poring over texts in museums in London and Baghdad. His specialty is Babylonian medicine. For almost an entire year, he studied thousands of references to sheep livers.

For example: If a sheep's gallbladder — part of the liver — was long and pointed, it meant the defeat of the enemy king. If there was a certain kind of crease on the liver, it could mean the king was going on a journey. A lunar eclipse could mean danger for a king.

But the tablets reached far beyond royalty. Biggs says they included everything from a disputed paternity case to agricultural loans to famine, where desperate people sold their children for cash. "Life was very fragile ... it was much more risky that it is now," he says.

Making sense of it all was painstaking work. Some of the wedge-shaped characters changed over the thousands of years, and the tablets excavated from ancient temples, palaces and cities were frequently crumbling. Often there was no punctuation, so it was hard to know where one word ended and the other began.

"You'd sit in a room with a good light and turn the tablet in various directions to see as much as possible," Biggs explains. "Quite often the tablets were broken so you might see part of a sign. And different people looking at the same thing would see something different because of the way you'd hold it."

"Sometimes it got to be very tedious," he adds. "Other times there was a sense of exhilaration if you could solve some problem or figure out what a rare word means."

Regardless, the work continued.

"You always saw the light at the end of the tunnel," Biggs says. "But the end of the tunnel kept getting further and further away."

An early 10-year completion deadline was soon deemed unrealistic. "Scholars always underestimated how difficult it would be," Roth says. "People always expected the project would end in their lifetime. What can I tell you? That's not always the way it goes."

There was much to research, much to record. By 1935, scholars already had 1 million index cards. It would take more than 30 years before the first of the 21 volumes was published. Most cover a single letter. The entire collection spans about 10,000 pages and 28,000 words. The definitions are more fitting for an encyclopedia; they provide cultural and historical context, similar to those in the Oxford English Dictionary.

"It's not such a word means king," Roth says. "It's a matter of understanding the thousands and thousands of references to the word king in every document in every period."

Roth notes that after arriving at the university in 1979, she asked to work on the word witness or witnessing. That took four to five years. On the other hand, there might be just a dozen references to a jar holding grain and that research could be complete in an afternoon.

Now that the dictionary is finished, Roth says there's a feeling of tremendous accomplishment and "a little bit of a sense of loss.... This has occupied my waking and sleeping moments for 32 years. You dream this stuff."

The end also brings a realization as more tablets are unearthed, more discoveries will be made.

"It's like driving a Porsche off the lot and looking in the Blue Book (listing a car's worth) and seeing how much value it's lost," Stolper says. "The moment it's done, it's out of date."

Biggs says the scholars are satisfied with the final version, but there is that lingering temptation.

"It might be nice to start over," he says, "but no one has the courage to do it anymore."

Monday, June 7, 2010

The Oriental Institute Has a Blog!

Well, the OI may have a dozen blogs - but I found this one tonight!!!!

The Oriental Institute: Fragments for a History of an Institution

Tres cool, check it out.  BTW, great graphic!

Sunday, November 8, 2009

Oriental Institute Special Exhibit: Meresamun

A reminder about this great exhibit at the Oriental Institute in Chicago, which I saw featured in an article earlier today in The Milwaukee Journal/Sentinel. February 10 - December 6, 2009 The Life of Meresamun: A Temple Singer in Ancient Egypt The Life of Meresamun: A Temple Singer in Ancient Egypt focuses on the life of a priestess-musician in Egypt in about the year 800 BC. The exhibit’s centerpiece is the coffin and mummy of Meresamun, who probably lived in Thebes. The exhibit illustrates the duties of a temple singer and explores what her life was like inside, as well as outside, the temple. Her temple duties are illustrated by a selection of objects she would have used, including a sistrum, an ivory clapper, a harp, and cult vessels [11394, 10578]. Other objects document ritual activities that she would have participated in, such as animal cults and the consultation of divine oracles. The section of the exhibit on her life outside the temple includes an examination of the social and legal rights of women in ancient Egypt and what professions were open to them. Examples of dishes, jewelry, and cosmetic vessels show what sort of objects could have been in her home. Religious rituals enacted within the home are illustrated by artifacts related to ancestor cults as well as amulets and other objects believed to improve fertility. In preparation for the exhibit, the mummy of Meresamun was examined with a Philips Healthcare Brilliance iCT 256-slice scanner at the University of Chicago Hospital. The thousands of CT scans obtained during the procedure allowed the creation of detailed 3-D images and reconstructions. Linking that data with forensic science has allowed specialists to recreate Meresamun’s original appearance. The fully illustrated exhibit catalog is available here. The exhibit is supported by Exelon and Philips Healthcare. More about Meresamun! Gallery Exhibit Computer Kiosk Presentation Video of Meresamun’s CT examination, September 2008 Visit Meresamun’s Facebook page Archaeology Magazine’s Meresamun site Interactive – Meresamun: A Life in Layers Pressroom: Worldwide coverage of Meresamun Oriental Institute Press Release New feature: View CT scans of Meresamun--> The Oriental Institute Museum is located at 1155 East 58th Street, Chicago. The Museum is open Tuesday, Thursday through Saturday from 10 a.m. to 6:00 p.m., Wednesday from 10:00 a.m. to 8:30 p.m., and Sunday from noon to 6:00 p.m. For information, call (773) 702-9514.

Thursday, October 15, 2009

Technology Aids in Understanding Ancient Language

I was really struck by the number of female specialists mentioned who are working on this project while reading this article. (Part of the Persepolis Fortification Archive Project) From the University of Chicago website/news: Technology brings new insights to ancient language October 14, 2009 New technologies and academic collaborations are helping scholars at the University of Chicago analyze hundreds of ancient documents in Aramaic, one of the Middle East’s oldest continuously spoken and written languages. Members of the West Semitic Research Project at the University of Southern California are helping the University’s Oriental Institute make very high-quality electronic images of nearly 700 Aramaic administrative documents. The Aramaic texts were incised in the surfaces of clay tablets with styluses or inked on the tablets with brushes or pens. Some tablets have both incised and inked texts. Discovered in Iran, these tablets form one of the largest groups of ancient Aramaic records ever found. They are part of the Persepolis Fortification Archive, an immense group of administrative documents written and compiled about 500 B.C. at Persepolis, one of the capitals of the Achaemenid Persian Empire. Archaeologists from the Oriental Institute discovered the archive in 1933, and the Iranian government has loaned it to the Oriental Institute since 1936 for preservation, study, analysis and publication. The Persepolis texts have started to provide scholars with new knowledge about Imperial Aramaic, the dialect used for international communication and record-keeping in many parts of the Assyrian, Babylonian and Persian empires, including parts of the administration at the imperial court of Persepolis. These texts have even greater value because they are so closely connected with documents written in other ancient languages by the same administration at Persepolis. “We don’t have many archives of this size. A lot of what’s in these texts is entirely fresh, but this also changes what we already knew,” said Annalisa Azzoni, an assistant professor at the Divinity School of Vanderbilt University. Azzoni is a specialist on ancient Aramaic and is now working with the Persepolis Fortification Archive Project at the Oriental Institute. “There are words I know were used in later dialects, for example, but I didn’t know they were used at this time or this place, Persia in 500 B.C. For an Aramaicist, this is quite an important discovery.” Clearer images delivered more quickly Scholars from the West Semitic Research Project at the University of Southern California helped the Persepolis Fortification Archive Project build and install an advanced electronic imaging laboratory at the Oriental Institute. Together, the two projects are making high-quality images of the Aramaic texts and the seal impressions associated with those texts. They are distributing the new images to the international research community through the Internet. Inked and incised texts pose different problems that call for different imaging solutions. Making high-resolution scans under polarized and filtered light reveals the ink without interference from stains and glare, and sometimes shows faded characters that cannot be seen in ordinary daylight. Using another advanced imaging technique, called Polynomial Texture Mapping, researchers are able to see surface variations under variable lighting, revealing the marks of styluses and even the traces of pens in places where the ink itself has disappeared. Distributing the results online will give worldwide communities of philologists and epigraphers images that are almost as good as the original objects―and in some cases actually clearer than the originals―to study everything from vocabulary and grammar to the handwriting habits of individual ancient scribes. Researcher Marilyn Lundberg and her colleagues from the West Semitic Research Project built two Polynomial Texture Mapping devices from scratch at the Oriental Institute. They trained Persepolis Fortification Archive Project workers in using them, and also in using filtered light with a camera equipped with a high-resolution scanning device. Now a stream of raw images is uploaded every day to a dedicated server maintained by Humanities Research Computing at Chicago, then uploaded for post-processing at the University of Southern California. Fully processed imagery is available on InscriptiFact, the online application of the West Semitic Research Project, and in the Online Cultural Heritage Research Environment, the online application of the Persepolis Fortification Archive Project. Seeing the whole picture The Polynomial Texture Mapping apparatus looks a bit like a small astronomical observatory, with a cylindrical based topped by a hemispherical dome. The camera takes a set of 32 pictures of each side of the tablet, with each shot lit with a different combination of 32 lights set in the dome. After post-processing, the PTM software application knits these images to allow a viewer sitting at a computer to manipulate the apparent direction, angle and intensity of the light on the object, and to introduce various effects to help with visualization of the surface. “This means that the scholar isn’t completely dependent on the photographer for what he sees anymore,” said Bruce Zuckerman, Director of the West Semitic Research Project and its online presence, InscriptiFact. “The scholar can pull up an image on the screen and relight an object exactly as he wants to see it. He can look at different parts of the image with different lighting, to cast light and shadow across even the faintest, shallowest marks of a stylus or pen on the surface, and across every detail of a seal impression.” “This is a wonderful way to look at seal impressions,” said Elspeth Dusinberre, another Persepolis Fortification Project collaborator. Dusinberre, an associate professor of classics at the University of Colorado, is studying the imagery and the use of seals impressed on the Aramaic tablets. “Some of the impressions are faint, or incomplete, on curved surfaces or damaged surfaces. Sometimes Aramaic text is written across them. You need to be able to move the light around to highlight every detail, to see the whole picture.” The Persepolis Fortification Archive also includes about 10,000 to 12,000 other tablets and fragments with cuneiform texts in Elamite―a few hundred of them with short secondary texts in Aramaic. There are also about 4,000 to 5,000 others with impressions of seals, but no texts, and there are a few unique documents in other languages and scripts, including Greek, Old Persian and Phrygian. “That’s what makes this group of Aramaic texts so extraordinary,” Stolper said. “From one segment of the Persepolis Fortification Archive, the Elamite texts, we know a lot about conditions around Persepolis at about 500 B.C. When we can add a second stream of information, the Aramaic texts, we’ll be able to see things in a whole new light. They add a new dimension of the ancient reality.” Impacts are far-reaching The collaboration between the Oriental Institute at Chicago and the West Semitic Research Project at Southern California began with support from a substantial grant from the Andrew W. Mellon Foundation in 2007. To date, the teams have made high-quality images of almost all the monolingual Aramaic Fortification tablets. The next phase of the work, supported by a second Mellon grant that runs through 2010, will make images of the short Aramaic notes written on cuneiform tablets, seal impressions on uninscribed tablets and previously unrecorded Elamite cuneiform texts. The tablets have been studied since they came to Chicago in 1936, and many of them have been sent back to Iran. Oriental Institute scholar Richard T. Hallock published about 2,100 of the Elamite texts in 1969, and Margaret Cool Root and Persepolis Fortification Archive Project collaborator Mark Garrison are completing a three-volume publication of the impressions made on those documents by about 1,500 distinct seals. These publications have had far-reaching results. “They have transformed every aspect of modern study of the languages, history, society, institutions, art and religion of the Achaemenid Persian Empire,” Stolper said. “No serious treatment of the empire that Cyrus and Darius built and that Alexander destroyed can ignore the perspectives of the Fortification Archive.” “If that is the effect of a sample of one component of the archive,” added Garrison, “imagine what will happen when we can have larger samples and other components, and not just the written record, but the imagery, the impressions made by thousands of different seals that administrators and travelers―the men and women who figure in the texts―employed.” By 2010, the collaborating teams expect to have high-quality images of 5,000 to 6,000 Persepolis tablets and fragments, and to supplement these with conventional digital images of another 7,000 to 8,000 tablets and fragments. The images will be distributed online as they are processed, along with cataloging and editorial information. “Thanks to electronic media, we don’t have to cut the parts of the archive up and distribute the pieces among academic specialties,” said Stolper. “We can combine the work of specialists in a way that lets us see the archive as it really was, in its original complexity, as one big thing with many distinct parts.”

Saturday, June 20, 2009

Face to Face with Priestess Meresamun

Modern technology at work! Here are two renditions (center and right) of what Meresamun may have looked like, based upon CT scans of her mummy. The image on the left is from her mummy cartonnage case and at the time of Meresamun's death, would not have been intended to be a true representation of what she looked like (that happened much later in Egyptian history) but was, rather, an idealized image. Getting By On Her Looks "Priestess of Amun" by Eti Bonn-Muller Using crystal-clear 3-D images from Meresamun's historic scans, two forensic artists reconstruct the face of a 2,800-year-old Egyptian priestess She was more than just a pretty face. The ancient Egyptian Meresamun, who lived around 800 B.C., was a working girl, a priestess-musician who served Amun, the preeminent deity of Thebes. Her mummified remains, sealed 2,800 years ago in a skintight coffin of cartonnage (layers of linen and plaster), were examined by researchers at the University of Chicago's Oriental Institute in September 2008 using the latest in CT scanning technology, a "256-slice" machine that produced startlingly vivid images. For months, she has since been the immensely popular subject of the Oriental Institute Museum's exhibition, The Life of Meresamun: A Temple Singer in Ancient Egypt. Now, the headline-making CT images have helped two individuals--each working separately with 3-D STL (stereolithography) images of Meresamun's skull produced from the scans, but using different techniques--reconstruct Meresamun's face. Michael Brassell is a Baltimore-based forensic artist for NamUs (pronounced "name us"), the National Missing and Unidentified Persons System established by the National Institute of Justice. He created traditional hand-drawn pencil sketches (digitally colored for an "artsy" effect), using the exact same methods he employs when helping the police track down a cold-case victim. Josh Harker, a forensic artist who lives in Chicago and was originally trained as a sculptor, worked digitally, leveraging the latest software and imaging technology. "I was delighted to have two very different techniques," says Emily Teeter, an Egyptologist at the Oriental Institute Museum and curator of the Meresamun exhibition. "How often do you look at a police sketch in the paper--of some creep or some unfortunate missing person--and say, 'Yeah, I wonder if they really looked like that?' But there is a lot of similarity between the two reconstructions." The main differences, she points out, are in the shapes of the chin and the nose. "But they both have the same overbite, very much the same cheekbones, and the same shape of the eyes." Rest of article at Archaeology (online).

Sunday, May 31, 2009

The Life of Meresamun: A Temple Singer in Ancient Egypt

Mr. Don and I didn't have a chance to get to Chicago to see this exhibit at the Oriental Institute when he was here earlier this month (for our trip to New York to celebrate Goddesschess' 10th anniversary). Perhaps we can zip down on the train for a day in August before we leave for Las Vegas (we'll be celebrating my birthday - hmmm, let's see, I think I'll be 39 again, in Las Vegas, where I celebrated it 10 years ago). The Life of Meresamun: A Temple Singer in Ancient Egypt February 10 - December 6, 2009 See the Archaeological Institute's online article on Meresamun by Emily Teeter.

Monday, March 23, 2009

Meresamun, a Priestess of Amun

A Mummy's Life Volume 62 Number 2, March/April 2009 by Eti Bonn-Muller Around 800 B.C., a wealthy Egyptian priestess named Meresamun served the god Amun in the monumental Temple of Karnak at Thebes. Her primary duties were to play percussion, string, and wind instruments that pleased and soothed him, and to sing hymns that praised his name. When she died, her body was mummified and sealed in a skintight coffin of cartonnage (layers of linen and plaster), which had been lavishly painted with her idealized likeness and images to ensure a successful journey to the afterlife. Among other motifs, there are garlands of flowers, a reference to regeneration; a sun disk hovering above a falcon, both symbols of rebirth; the four sons of the god Horus, protectors of the viscera that were removed from her body; and two jackals representing the god Wepwawet, "opener of the way" to the necropolis. The mummy was purchased in 1920 by University of Chicago archaeologist James Henry Breasted and has been in the Oriental Institute Museum's collection ever since. The fragile coffin was never opened and the body never unwrapped because generations of curious curators couldn't bring themselves to destroy the beautiful decorations. But recent analysis on a state-of-the-art Philips 256-slice iCT scanner is now allowing experts to examine Meresamun as never before. The results of the study, along with ground-breaking research on the role of priestess-musicians in the temple and at home, are the subjects of the museum's current exhibition, The Life of Meresamun: A Temple Singer in Ancient Egypt. Last September, Egyptologist Emily Teeter, curator of the exhibition, and a team of conservators placed Meresamun's coffin, secured by foam wedges and linen straps, into a rectangular wooden crate. On the outside, the exhibition designers had painted black wedjat eyes, protective symbols often depicted on ancient Egyptian coffins, believed to allow the mummy to see out. "We didn't want her to feel boxed up," says Teeter, a slender woman with a silvery bob. Then they loaded the mummy into a truck and drove across campus to the University of Chicago Hospital's emergency room. They placed the crate on a gurney and wheeled it into the CT suite, where physicians routinely take X-ray cross sections of tissue to diagnose cancer, cardiovascular disease, and other medical conditions. Nearly 40 people crammed into the hospital's CT suite to witness the historic scans: sales reps from Philips, two film crews, radiologists, nurses, security guards, and museum specialists. "Oh, my God, it was exciting for everybody!" recalls Geoff Emberling, director of the Oriental Institute Museum. Eti Bonn-Muller is ARCHAEOLOGY's Managing Editor. Emily Teeter gives a brief overview of what the Egyptian priestess' life would have been like, as part of comprehensive coverage of the priestess at Archaeology Magazine: The Life of Meresamun: A Temple Singer in Ancient Egypt by Emily Teeter How an Egyptian Mummy Winds Up in Chicago by Eti Bonn-Muller The Oriental Institute at the University of Chicago is hosting a special exhibit of Meresamun February 10 - December 6, 2009.

Thursday, March 6, 2008

Oriental Institute (Chicago) to Host Conference

From the University of Chicago Chronicle March 6, 2008 Vol. 27 No. 11 Scholars will explore conflicts between tribal, national allegiances By William Harms News Office Since ancient times, the role of tribes in the Middle East has been a source of misunderstanding. “We need to better appreciate the role of tribes and the loyalty people feel toward them,” said Jeffrey Szuchman, a post-doctoral fellow at the Oriental Institute. People in the Middle East frequently have mixed allegiances between their tribal and national identities, and the conflict can undermine their concept of legitimacy of the modern states, he said. The conflict between state authority and tribal allegiance has long been a source of strain. Scholars have frequently misunderstood the role tribes played and had to rely on limited information. In order to move that scholarship in a new direction, Szuchman has organized a conference, “Nomads, Tribes, and the State in the Ancient Near East: Cross-Disciplinary Perspectives,” to be held Friday, March 7 and Saturday, March 8. The conference is free and open to the campus community. More information is available at http://oi.uchicago.edu/research/symposia/2008.html. The conference will bring together an international group of archaeologists, socio-cultural anthropologists and historians from the Oriental Institute and other universities to apply the diverse techniques of their various fields and various regions of the Near East to the study of tribes and nomadic groups. “By focusing on the social and political context of nomadism in the ancient Near East, this conference does an extremely valuable thing: It pushes us to reexamine some of the most basic theoretical categories that we use in trying to understand the organization of ancient state societies,” said Gil Stein, Director of the Oriental Institute. “Once you add nomads into the equation as either rivals of the state, or as an organizing element of the state itself, then this can completely transform our understanding of how these societies developed and changed over time.” Experts on the topic from the Oriental Institute are Robert Ritner, Professor in Near Eastern Languages & Civilization and the College, and research associates Abbas Alizadeh and Donald Whitcomb. Research on the topic has been limited by biases about nomads and tribal people, which was reflected in written texts authored by urban elites. Additionally, archaeologists have had difficulty constructing a record of peoples who moved frequently. “All these problems pose obstacles to reconstructing the complex dynamics of tribe-state interactions in antiquity. This conference brings together a diverse group of archaeologists, historians and anthropologists to explore new ways of approaching the study of nomadic populations and encounters between tribes and states,” Szuchman said. The conference papers will be published in a volume in the Oriental Institute Seminar Series. Publication of the proceedings of the conference is made possible through the Arthur and Lee Herbst Research Fund.
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